And when queen Guenever understood that king Arthur was slain, and all the noble knights, Sir Mordred and all the remnant, then the queen stole away and five ladies with her, and so she went to Almesbury, and there she let make herself a nun, and wore white clothes and black, and great penance she took, as ever did sinful lady in this land, and never creature could make her merry, but lived in fasting, prayers and alms-deeds, that all manner of people marvelled how virtuously she was changed. Now leave we queen Guenever in Almesbury a nun in white clothes and black, and there she was abbess and ruler as reason would.
There follows that incomparable chapter of parting, when Launcelot seeks his queen in her nunnery:
and then was queen Guenever ware of Sir Launcelot as he walked in the cloister, and when she saw him there she swooned thrice, that all the ladies and gentlewomen had work enough to hold the queen up. So when she might speak, she called ladies and gentlewomen to her, and said, Ye marvel, fair ladies, why I make this fare. Truly, she said, it is for the sight of yonder knight that yonder standeth: wherefore, I pray you all, call him to me. When Sir Launcelot was brought to her, then she said to all the ladies, Through this man and me hath all this war been wrought, and the death of the most noblest knights of the world; for through our love that we have loved together is my noble lord slain. Therefore, Sir Launcelot, wit thou well I am set in such a plight to get my soul’s health; and yet I trust, through God’s grace, that after my death to have a sight of the blessed face of Christ and at doomsday to sit at his right side, for as sinful as ever I was are saints in heaven. Therefore, Sir Launcelot, I require thee and beseech thee heartily, for all the love that ever was betwixt us, that thou never see me more in the visage; and I command thee on God’s behalf that thou forsake my company and to thy kingdom thou turn again and keep well thy realm from war and wrack. For as well as I have loved thee, mine heart will not serve me to see thee; for through thee and me is the flower of kings and knights destroyed.
And so on, through the last parting, and the last kiss refused, and the lamentation “as they had been stung with spears,” through the six long years of fasting and penance, till the day when Guinevere died and a vision bade Launcelot seek her corpse.
And when Sir Launcelot was come to Almesbury, within the nunnery, queen Guenever died but half an hour before. And the ladies told Sir Launcelot that queen Guenever told them all, or she passed, that Sir Launcelot had been priest near a twelvemonth—And hither he cometh as fast as he may to fetch my corpse; and beside my lord king Arthur he shall bury me. Wherefore the queen said in hearing of them all, I beseech Almighty God that I may never have power to see Sir Launcelot with my worldly eyes. And thus, said all the ladies, was ever her prayer these two days, till she was dead[1643].
This is a different romance from that of the gay chansons de nonnes, but it is romance all the same. There is little in common between Queen Guinevere and the lady who was loved and rescued by a king in the Ancren Riwle[1644].
One of the last—as it is one of the most graceful—pieces of courtly literature concerned with a convent is the delightful Livre du dit de Poissy, in which the French poetess Christine de Pisan tells of a journey, which she took in 1400, to visit her daughter, a nun at the famous convent of Poissy. This Dominican abbey, founded in 1304, was exceedingly rich and the special favourite of the kings of France, for it had been put under the protection of St Louis. The number of nuns, originally fixed at a hundred and twenty, soon rose to two hundred, and the aristocratic character of the house was very marked, for its inmates had to be of noble birth and to receive a special authorisation from the king before they could be admitted. At the time of Christine de Pisan’s visit Marie de Bourbon, aunt of Charles VI, was prioress, and the convent also contained the nine year old Marie de France, his daughter (who took the veil at the age of five) and her cousin Catherine d’Harcourt. There were no nunneries so large and so rich in England at this late date; but Christine’s description may serve to suggest what great houses like Shaftesbury and Romsey must have been like in the earlier days of their prime. Her account of the convent, with its fine buildings and gardens, its church, its rich lands and its gracious and dignified way of life forms a useful counterpoise to the bald and unidealised picture presented by the comperta of visitations; for assuredly truth lies somewhere between the comperta, which deal solely with faults, and the poem, which deals solely with virtues.
Christine describes the brilliant cavalcade of lords and ladies riding in the spring morning through beautiful scenery, enlivening their journey with laughter and song and talk of love, until they came to the great abbey of Poissy. She describes their reception by the Prioress Marie de Bourbon and by the king’s little daughter “joenne et tendre”:
Par les degrez de pierre, que moult pris,
En hault montames
Ou bel hostel royal, que nous trouvames
Moult bien pare, et en sa chambre entrames
De grant beaulty.
The Prioress’ lodging was evidently such as befitted a royal princess, even though she were a humble nun. Christine describes the manner of life of the nuns, how no man might enter the precincts to serve or see them, save a relative, and how they never left the convent and seldom saw strangers from the world: