This is a page from a fine manuscript of La Sainte Abbaye, now in the British Museum (MS. Add. 39843, f. 6 vo). At the top of the picture a priest with two acolytes prepares the sacrament; behind them stands the abbess, holding her staff and a book, and accompanied by her chaplain and the sacristan, who rings the bell; behind them is a group of four nuns, including the cellaress with her keys, and nuns are seen at the windows of the dorter above. At the bottom is a procession of priest, acolytes and nuns in the choir; notice the big candles carried by the young nuns (perhaps novices) in front, and the notation of the music books.

PLATE V. [The Ménagier's wife has a garden party]

This beautiful scene is taken from a fifteenth-century manuscript of the Roman de la Rose (Harl. MS. 4425), which is one of the greatest treasures of the British Museum.

PLATE VI. [The Ménagier's wife cooks his supper with the aid of his book]

From MS. Royal, 15 D. I, f. 18, in the British Museum which is part of a petite bible historiale, or biblical history, by Guyart des Moulins, expanded by the addition of certain books of the Bible, in French. It was made at Bruges by the order of Edward IV, King of England by one J. du Ries and finished in 1470, so that it is about eighty years later than the Ménagier's book. The illustration represents a scene from the story of Tobias; Tobit, sick and blind, is lying in bed, and his wife Anna is cooking by the fire, with the help of a book and a serving maid. The right-hand half of the picture, which is not reproduced here, shows the outside of the house, with Tobias bringing in the angel Raphael. The illuminated border of the page from which this scene is taken contains the arms of Edward IV, with the garter and crown.

PLATE VII. [Calais about the time of Thomas Betson]

This plan of Calais in 1546 is reproduced from a 'Platt of the Lowe Countrye att Calleys, drawne in October, the 37th Hen. VIII, by Thomas Pettyt,' now in the British Museum. (Cott. MS. Aug. I, vol. II, no. 70). There is only room to show the top corner of the plan, with the drawing of Calais itself, but the whole plan is charming, with its little villages and great ships riding in the channel.

PLATE VIII. [Thomas Paycocke's house at Coggeshall]

From a photograph of the front of the house, standing on the street. Note the long carved breastsummer that supports the overhanging upper story. On the left can be seen, much foreshortened, the archway and double doors of linen fold panels. The windows are renovations on the original design, flat sash windows having been put in in the eighteenth century.