He was a devout Churchman, upright in all his affairs, respectable, took snuff, walked with a waddle and cultivated a double chin. M. Arouet pater did not marry until his mind was mature, so that he might avoid the danger of a mismating. He was forty, past. The second son, Francois fils, was ten years younger than his brother Armand, so the father was over fifty when our hero was born. Francois fils used to speak of himself as an afterthought—a sort of domestic postscript—"but," added he musingly, "our afterthoughts are often best."

One of the most distinguished clients of M. Arouet was Ninon de Lenclos, who had the felicity to be made love to by three generations of Frenchmen. Ninon has been likened for her vivacious ways, her flashing intellect, and her perennial youth, to the divine Sara, who at sixty plays the part of Juliet with a woman of thirty for the old nurse. Ninon had turned her three-score and ten, and swung gracefully into the home-stretch, when the second son was born to M. Arouet. She was of a deeply religious turn of mind, for she had been loved by several priests, and now the Abbe de Chateauneuf was paying his devotions to her.

Ninon was much interested in the new arrival, and going to the house of M. Arouet, took to bed, and sent in haste for the Abbe de Chateauneuf, saying she was in sore trouble. When the good man arrived, he thought it a matter of extreme unction, and was ushered into the room of the alleged invalid. Here he was duly presented with the infant that later was to write the "Philosophical Dictionary." It was as queer a case of kabojolism as history records.

Doubtless the Abbe was a bit agitated at first, but finally getting his breath, he managed to say, "As there is a vicarious atonement, there must also be, on occasion, vicarious births, and this is one—God be praised."

The child was then baptized, the good Abbe standing as godfather.

There must be something, after all, in prenatal influences, for as the little Francois grew up he evolved the traits of Ninon de Lenclos and the Abbe much more than those of his father and mother.

When the boy was a little over six years old the mother died. Of her we know absolutely nothing. In her son's writings he refers to her but once, wherein he has her say that "Boileau was a clever book, but a silly man."

The education of the youngster seemed largely to have been left to the Abbe, his godfather, who very early taught him to recite the "Mosiad," a metrical effusion wherein the mistakes of Moses were related in churchly Latin, done first for the divertisement of sundry pious monks in idle hours.

At ten years of age Francois was sent to the College of Louis-le-Grand, a Jesuit school where the minds of youth were molded in things sacred and secular.

In only one thing did the boy really excel, and that was in the matter of making rhymes. The Abbe Chateauneuf had taught him the trick before he could speak plainly, and Ninon had been so pleased with the wee poet that she left him two thousand francs in her will for the purchase of books. As Ninon insisted on living to be ninety, Voltaire discounted the legacy and got it cashed on dedicating a sonnet to the divine Ninon. In this sonnet Voltaire suggests that a life of virtue conduces largely to longevity, as witness the incomparable Ninon de Lenclos, to which sentiment Ninon filed no exceptions.