"I do not like that word," said Mademoiselle Mars to Victor Hugo at a rehearsal of "Hernani"; "can I not change it?"

"I wrote it so and it must stand," was the answer.

Mademoiselle Mars used another expression instead of the author's, and he promptly asked her to resign her part. She wept, and upon agreeing to adhere to the text was reinstated in favor.

Rehearsal after rehearsal occurred, and the words were repeated as written. The night of the performance came. Superb was the stage-setting, splendid the audience. The play went forward amid loud applause. The scene was reached where came the objectionable word. Did Mademoiselle Mars use it? Of course not; she used the word she chose—she was a woman. Fifty-three times she played the part, and not once did she use the author's pet phrase; and he was wise enough not to note the fact. The moral of this is that not even a strong man can cope with a small woman who weeps at the right time.

The censorship forbade the placing of "Marion Delorme" on the stage until a certain historical episode in it had been changed. Would the author be so kind as to change it? Not he.

"Then it shall not be played," said M. de Martignac.

The author hastened to interview the minister in person. He got a North Pole reception. In fact, M. de Martignac said that it was his busy day, and that playwriting was foolish business anyway; but if a man were bound to write, he should write to amuse, not to instruct. And young Hugo was bowed out.

When he found himself well outside the door he was furious. He would see the King himself. And he did see the King. His Majesty was gracious and very patient. He listened to the young author's plea, talked book-lore, recited poetry, showed that he knew Hugo's verses, asked after the author's wife, then the baby, and—said that the play could not go on. Hugo turned to go. Charles the Tenth called him back, and said that he was glad the author had called—in fact, he was about to send for him. His pension thereafter should be six thousand francs a year.

Victor Hugo declined to receive it. Of course, the papers were full of the subject. All cafedom took sides: Paris had a topic for gesticulation, and Paris improved the opportunity.