Balzac seized upon the phrase, "The Human Comedy," just as he seized upon anything which he could weave into the fabric he was constructing. And so finally came his formal announcement that he was to write the entire life of man, and picture every possible aspect of humanity, in a hundred books to be known as "La Comedie Humaine." It was a conception as great and daring as the plan of Pliny to write out all human knowledge, or the ambition of Newton as shown in the "Principia," or the works of Baron von Humboldt as revealed in the "Cosmos," or the idea of Herbert Spencer as bodied forth in the "Synthetic Philosophy."
All the time Balzac was looking forward to when he and Madame Hanska would next meet, or back to the meeting that had just taken place. Each year, for a few short, sweet days, they met in Switzerland or at some appointed place in Italy or France. Sometimes Monsieur Hanska was there and sometimes not. That worthy gentleman always seemed to feel a certain gratification in the thought that his wife was so attractive to the great author of the "Droll Stories," the only Balzac book he had really ever read.
That he did not even guess their true relation is very probable; he knew that his wife was something of a writer, and he was satisfied when he was told that she was helping Balzac in his literary undertakings. That he was not compelled to read the joint production, and pass judgment on it, gave him so much pleasure that he never followed up the clue.
On January Fifth, Eighteen Hundred Forty-two, Balzac received from Madame Hanska an envelope lined with ominous black: a mourning-envelope. He seized it with joy—placed it to his lips and then pressed it to his heart. Monsieur Hanska was dead—dead—very dead—he had vacated the preserve—gone—flown—departed, dead!
Balzac sat down and wrote a sham letter of condolence to the bereaved widow, and asked permission to go at once and console her. Had it been De Berney he would have gone, but with Madame Hanska he had first to obtain permission.
So he waited for her reply.
Her answer was strangely cold: Madame was in sore distress—children sick, peasants dissatisfied, business complications and so forth.
Balzac had always supposed that Monsieur Hanska was the one impediment that stood in the way of the full, complete and divine mating. Probably Madame thought so, too, until the time arrived, and then she discovered that she had gotten used to having her lover at a distance. She was thus able to manage him. But to live with him all the time—ye gods, was it possible!
The Madame had so long managed her marital craft in storm and stress, holding the bark steadily in the eye of the wind, that now the calm had come she did not know what to do, and Balzac in his gay-painted galley could not even paddle alongside.