lyria: As intimated in a former chapter, I was a successful farmer before I went to college. I was also a manufacturer, and made a success in this business, too. I made a fortune of a hundred thousand dollars before I was thirty, and should have it yet had I sat down and watched it. If you go into a railroad-car and sit down by the side of your valise (or manuscript), in an hour your valuables will probably be there all right.
But if you leave the valise (or the manuscript) in a seat and go into another car, when you come back the goods may be there and they may not. That is the only way to keep money—fasten your eye right on it. If you leave it in the hands of others, and go away to delve in books, the probabilities are that, when you get back, certain obese attorneys have divided your substance among them.
However, there is good in every exigency of life, and to know that your fortune is gone is a great relief. When the trial is ended and the prisoner has received his sentence, he feels a great relief, for it is only the unknown that fills our souls with apprehension.
leveland: In all the realm of artistic history no record of such extremes can be found in one life as those seen in the life of Mozart. The nearest approach to it is found in the career of Rembrandt, who won fame and fortune at thirty, and then holding the pennant high for ten years, his powers began to decline. It took twenty-six years of steady down grade to ditch his destinies in a pauper's grave.
But Rembrandt, during his lifetime, was scarcely known out of Holland, whereas Mozart not only won the nod of nobility, and the favor of the highest in his own land, but he went into the enemy's country and captured Italy. Mozart's art never languished: he held a firm grip on sublime verities right to the day of his death. The high-water mark in Mozart's career was reached in those two years in Italy, when in his thirteenth and fourteenth years. The arts all go hand in hand, for the reason that strong men inspire strong men, and each does what he can do best. In painting, sculpture and music (not to mention Antonio Stradivari of Cremona) Italy has led the world. A hundred years ago no musician could hope for the world's acclaim until Italy had placed its stamp of approval upon him.
Savants in Milan, Florence, Padua, Rome, Verona, Venice and Naples, tested the powers of young Mozart to their fullest; and although he had to overcome doubt and the prejudice arising from being "a barbaric German," yet the highest honors were at the last ungrudgingly paid him. He was enrolled as an honorary member of numerous musical societies, old musicians gave their blessings, proud ladies craved the privilege of kissing his fair forehead, and the Pope conferred upon the gifted boy the Order of the Golden Spur, which gave him the right to have his mail come directed to "The Signor Cavaliere Mozarti."
At Naples the result of his marvelous playing was ascribed to enchantment, and this was thought to be centered in a diamond ring that had been presented to the lad by a fair lady in a mood of ecstasy. To convince the Neapolitans of their error Mozart was obliged to accept their challenge and remove the ring. He wrote home to his mother that he had no time to practise, as in every city where he went artists insisted on his sitting for his portrait.