From little excursions to neighboring towns and country houses about Warsaw, Chopin now ventured farther away from home, chaperoned by his friend, Prince Radziwill. He visited Berlin, Venice, Prague, Heidelberg, and mingled on an absolute equality with the nobility. If they had titles, he had talents. And his talents often made their decorations sing small.

His modesty was witching, and while in public concerts his playing was not pronounced enough to capture the gallery, yet in small gatherings he won all hearts, and the fact that he played his own compositions made him an added object of enthusiasm to the elect. Chopin arrived in Paris when he was twenty-two years of age. It was not his intention to remain more than a few weeks, but Paris was to be his home for eighteen years—and then Pere la Chaise.

woman who beholds her thirtieth birthday in sight, and girlhood gone, is approaching a climacteric in her career. Flaubert has named twenty-nine as the eventful year in the life of woman, and thirty-three for men. Every normal woman craves love and tenderness—these are her God-given right. If they have not come to her by the time the bloom is fading from her cheeks, there is danger of her reaching out and clutching for them. The strongest instinct in young girls is self-protection—they fight on the defensive. But at thirty, women have been known to grow a trifle anxious, just as did the Sabine women who dispatched a messenger to the Romans asking this question, "How soon does the program begin?"

And thus are conditions reversed, for it is the youth of twenty or so who seeks conquest with fiery soul. Alexander was only nineteen when he sighed for more worlds to conquer. He didn't have to wait long before he found that this one had conquered him. Youth considers itself immortal, and its powers without limit, but as a man approaches thirty he grows economical of his resources and parsimonious of his emotions. Men of thirty, or so, are apt to be coy.

And so one might say that it is around thirty that for the first time the man and the woman meet on an equality, without sham, shame or pretense. Before that time the average woman abounds in affectation and untruth; the man is absurdly aggressive and full of foolish flattery.

As to the question, "Should women propose?" the answer is, "Yes, certainly, and they do when they are twenty-nine."

Aurora Dudevant saw her thirtieth birthday looming on the horizon of her life. Nine years before she had been married to an ex-army-officer, who dyed his whiskers purple. Aurora had been a dutiful wife, intent for the first few years on filling her husband's heart and home with joy. She had failed in this, and the proof of failure lay in that he much preferred his dogs, guns and horses to her society. For days he would absent himself on his hunting excursions, and at home he did not have the tact to hide the fact that he was awfully bored.

Thackeray, once for all, has given us a picture of the heavy dragoon with a soul for dogs—one to whom all music, save the bay of a fox-hound, makes its appeal in vain. Aurore detested dogs for dogs' sake, yet she rode horses astride with a daring that made her husband's bloodshot eyes bulge in alarm. He didn't much care how fast and hard she rode at the fences and over the ditches, but he was supposed to follow her, and this he did not care to do. He had reached an age when a man is mindful of the lime in his bones, and his 'cross-country riding was mostly a matter of memory and imagination, and best done around the convivial table.