In this instance we have a strong, wilful, ambitious and masculine man. Up to the time he met Cleopatra, love was of his life apart; after this, it was his whole existence. When they first met there at Cilicia, Antony was past forty; she was twenty-five.

Plutarch tells us that Fulvia, the wife of Antony, an earnest and excellent woman, had tried to discipline him. The result was that, instead of bringing him over to her way of thinking, she had separated him from her.

Cleopatra ruled the man by entwining her spirit with his—mixing the very fibers of their being—fastening her soul to his with hoops of steel. She became a necessity to him—a part and parcel of the fabric of his life. Together they attended to all the affairs of State. They were one in all the games and sports. The exuberant animal spirits of Antony occasionally found vent in roaming the streets of Alexandria at dead of night, rushing into houses and pulling people out of bed, and then absconding before they were well awake. In these nocturnal pranks, Cleopatra often attended him, dressed like a boy. Once they both got well pummeled, and deservedly, but they stood the drubbing rather than reveal their identity.

The story of their fishing together, and Antony making all the catch has been often told. He had a skilful diver go down every now and then and place a fish on his hook. Finally, when he grew beautifully boastful, as successful fishermen are apt to do, Cleopatra had her diver go down and attach a large Newfoundland salt codfish to his hook, which when pulled up before the company turned the laugh, and in the guise of jest taught the man a useful lesson. Antony should have known better than to try to deceive a woman like that—other men have tried it before and since.

But all this horseplay was not to the higher taste of Cleopatra—with Cæsar, she would never have done it.

It is the man who gives the key to conduct in marriage, not the woman; the partnership is successful only as a woman conforms her life to his. If she can joyfully mingle her life with his, destiny smiles in benediction and they become necessary to each other. If she grudgingly gives, conforming outwardly, with mental reservations, she droops, and spirit flagellates the body until it sickens, dies. If she holds out firmly upon principle, intent on preserving her individuality, the man, if small, sickens and dies; if great he finds companionship elsewhere, and leaves her to develop her individuality alone—which she never does. One of three things happens to her: she dies, lapses into nullity, or finds a mate whose nature is sufficiently like her own that they can blend.

Cleopatra was a greater woman, far, than Antony was a man. But she conformed her life to his and counted it joy. She was capable of better things, but she waived them all, as strong women do and have done since the world began. Love is woman's whole existence—sometimes. But love was not Cleopatra's whole existence, any more than it is the sole existence of the silken Sara, whose prototype she was. Cleopatra loved power first, afterward she loved love. By attaching to herself a man of power both ambitions were realized.

Two years had gone by, and Antony still remained at Alexandria. Importunities, requests and orders had all failed to move him to return. The days passed in the routine affairs of State, hunting, fishing, excursions, fetes and games. Antony and Cleopatra were not separated night or day.

Suddenly news of serious import came: Fulvia, and Lucius, the brother of Antony, had rebelled against Cæsar and had gathered an army to fight him.

Antony was sore distressed, and started at once to the scene of the difficulty. Fulvia's side of the story was never told, for before Antony arrived in Italy she was dead.