Thus, we see, nothing was permitted to stay the tide of pleasure. Even the battle-field and the siege were turned into spectacles, and, by day and night, the gay court rang with mirth and folly.

In the great space between the Louvre and the Tuileries, since known as the Place de Carrousel, the summer sky of 1654 arched over a gorgeous pageant. Lists and galleries in the fashion of the tournaments of old, fluttering streamers, gleaming decorations, and rich hangings framed a picture that seemed to revive the chivalry of by-gone days. Midway down the lists, in the ladies' gallery, a richly-canopied fauteuil or arm-chair, draped in crimson and gold, held the "queen of beauty," the fair-faced Olympia Mancini—the imperious young lady "whom the king delighted to honor." The trumpets of the heralds sounded, and into the lists, with pages and attendants, gallant in liveries of every hue, rode the gay young nobles of the court, gleaming in brilliant costume and device, like knights of old, ready to join in the games of the mock tournament. But the centre of every game, the victor in all the feats of skill and strength, was the boy king, Louis of Bourbon, as in a picturesque suit of scarlet and gold he rode his splendid charger like a statue. And as the spectators noted the white and scarlet scarf that fell from the kingly shoulder in a great band, and the scarlet hat with snow-white plume, they saw, by looking at the fair young "queen of beauty," Olympia Mancini, in her drapery of scarlet damask and white, that King Louis wore her colors, and thus announced himself as her champion in the lists.

And Count Armand could see by the look of triumph and satisfaction in Olympia's pretty face, as she ruled queen of the revels, that already she felt herself not far from the pinnacle of her ambition, and saw herself in the now not distant future as Olympia, Queen of France!

But alas for girlish fancies! Louis, the king, was as fickle in his affections as he was unyielding in his mastership.

"Sire," said the Count de Guiche, as the next day a gay throng rode from the mock tournament to another great hunt in the forest of Vincennes, "why does not the fair Olympia ride with the hunt to-day?"

"Ah, the saucy Mazarinette," the king said, surlily, using the popular nickname given to the nieces of his minister, "she played me a pretty trick last night, and I will have none of her, I say"; and then he told the condoling count, who, however, was in the secret, how at the great ball after the tournament, the maiden, whose colors he had worn, had exchanged suits with his brother, the little "Monsieur," and so cleverly was the masquerading done, that he, the great King Louis, was surprised by the laughing Olympia, making sweet speeches to his own brother, thinking that he was talking to the mischievous maiden.

"My faith, sire," said the laughing count, "Monsieur makes a fair dame when he thus masquerades. Did he not well bear off the character of the Mancini?"

"Pah, all too well, the ugly little garçon," ruefully replied the king. "But I gave him such a cuff for his game on me as he shall not soon forget. And as for her——"

"Well," said the young count, "what did you, sire, to the fair Olympia?"

"Fair, say you?" said the king, wrathfully; "she is aught but fair, say I, Armand—a black face and a black soul! What think you? She strutted forth with all the airs of the great Bayard or—of myself, and clapping hand to sword, she rescued Monsieur from my clutch, saying: 'I am a chevalier of France, and brook no ill usage of so fair a dame!'"