“Tell the Republic I have determined never to remarry. When I am dead, the throne of Cyprus shall go to the State, my heir. But until that day I am Queen of Cyprus!”
Then her brother Giorgio, the same who in earlier days had looked down with her from the Cornaro Palace upon the outcast Prince of Cyprus, came to her as ambassador of the Republic. His entreaties and his assurance that, unless she complied with the senate’s demand, the protection of Venice would be withdrawn, and the island kingdom left a prey to Saracen pirates and African robbers, at last carried the day. Worn out with long contending, fearful, not for herself but for her subjects of Cyprus,—she yielded to the demands of the senate, and abdicated in favor of the Republic.
Then she returned to Venice. The same wealth of display and ceremonial that had attended her departure welcomed the return of this obedient daughter of the Republic, now no longer a light-hearted young girl, but a dethroned queen, a widowed and childless woman.
She was allowed to retain her royal title of Queen of Cypus, and a noble domain was given her for a home in the town of Asola, up among the northern mountains. Here, in a massive castle, she held her court. It was a bright and happy company, the home of poetry and music, the arts, and all the culture and refinement of that age, when learning belonged to the few and the people were sunk in densest ignorance.
Here Titian, the great artist, painted the portrait of the exiled queen that has come down to us. Here she lived for years, sad in her memories of the past, but happy in her helpfulness of others until, on her way to visit her brother Giorgio in Venice, she was stricken with a sudden fever, and died in the palace in which she had played as a child.
With pomp and display, as was the wont of the Great Republic, with a city hung with emblems of mourning, and with the solemn strains of dirge and mass filling the air, out from the great hall of the Palazzo Cornaro, on, across the heavily draped bridge that spanned the Grand Canal from the water-gate of the palace, along the broad piazza crowded with a silent throng, and into the Church of the Holy Apostles, the funeral procession slowly passed. The service closed, and in the great Cornaro tomb in the family chapel, at last was laid to rest the body of one who had enjoyed much but suffered more—the sorrowful Queen of Cyprus, the once bright and beautiful Daughter of the Republic.
Venice to-day is mouldy and wasting. The palace in which Catarina Cornaro spent her girlhood is now a pawnbroker’s shop. The last living representative of the haughty house of Lusignan—Kings, in their day, of Cyprus, of Jerusalem, and of Armenia—is said to be a waiter in a French cafe. So royalty withers and power fades. There is no title to nobility save character, and no family pride so unfading as a spotless name. But, though palace and family have both decayed, the beautiful girl who was once the glory of Venice and whom great artists loved to paint, sends us across the ages, in a flash of regal splendor, a lesson of loyalty and helpfulness. This, indeed, will outlive all their queenly titles, and shows her to us as the bright-hearted girl who, in spite of sorrow, of trouble, and of loss, developed into the strong and self-reliant woman.