Cardinal de Richelieu

by Eleanor C. Price

Richelieu arrives at Luçon—His palace and household—His work in the diocese—His friends and neighbours.

While his coach rumbled and jolted through miry ways towards the south-west, Armand de Richelieu had time to consider what he had done and hoped to do. The objects of his ambition were always the same: political power and the command of men. His career might seem to have met with a sharp check in these long months of illness, followed by banishment to remote wilds, so far from the sources of light and of favour, Paris and the King. But if he felt this, he was not the man to be seriously disheartened.

A diocese, after all, is not a bad school for governing one’s fellow-creatures. Some of Richelieu’s biographers think that he deliberately took up the work of a resident bishop with the idea of gaining experience for the larger career on which his heart was set: some, that in his state of chronic poverty he found the provinces a more honourable abode than the capital. In any case, he threw himself with eager energy into work which was difficult enough; the province of Poitou, and especially Lower Poitou, being desolated and devoured by war and by taxes, torn to pieces by schism, unhealthy, dismal, neglected, its old traditions, both of Church and State, fallen into ruin and forgetfulness. And Luçon itself, with its fine old cathedral lifted proudly and sadly above the mouldy roofs of the bourg, neither town nor village, seemed to lie at the other end of the world, near upon the sea, beyond leagues of wide wet marsh scattered with miserable little farms and cottages and crossed by half-drained roads and stagnant canals, the few wretched peasants shivering with fever.

The occasional visits of Jacques du Plessis de Richelieu, who had now been dead sixteen years, were Luçon’s latest experience of episcopal care. Certainly the diocese owed nothing to the Richelieu family, which had swallowed its revenues and let its cathedral tumble down; but with a touching faith in the future not unjustified, it offered a hearty welcome to young Armand de Richelieu. He entered his territory at Fontenay-le-Comte, a cheerful little town which prided itself, like the rest of Poitou, on having produced many great men. The Bishop was received here, not only by the inhabitants, but by a deputation from the Chapter of Luçon, and they harangued each other with various flattering remarks. But through the formalities of the time there pierces that clear decided meaning which is never absent from any utterance of Richelieu’s, even as a young man of three-and-twenty. His speeches were never written for him. There were anger and injury in the minds of the Luçon Chapter, and he knew it. “I am not happy enough,” he said, “to have all your hearts.” But now that he and they were to live together, things would be very different. They would learn to know him, and to wish him well. For his part, he was ready to forget the past, highly esteeming the law which the ancients called “amnistie d’oubliance.” Possibly there was a wry face here and there among the old canons at this touch of generosity, and it was not very long, in fact, before they began to quarrel with their new Bishop; but he had brought with him from Paris the fame of a preacher and a theologian, and the dull little town was en fête on that saint’s day in December when Richelieu first said mass and preached in his own cathedral.

All, indeed, seemed peace and harmony. Even the Protestants, who were rather numerous in the diocese and in all that part of France, had a friendly word from the new Bishop on his arrival. One of the speeches which has been preserved was addressed to the crowd in the street. After telling them how much he valued their joyful faces and cries of welcome, he added, “I know there are those in this company who are divided from us as to belief; in spite of which, I hope we may be united in affection, and I will do all that is possible to bring this to pass.”

Here one seems to see the germ of that idea of religious toleration which influenced Richelieu’s policy in later years. If he could persuade the Huguenots to be “Frenchmen first and Protestants afterwards,” he was always willing to give them liberty of worship. If he crushed them, it was because they were a fighting faction which endangered, in his view, the unity of France and the power of the monarchy.

From his dilapidated palace, the heavy old buildings of which leaned up against cathedral walls battered by wars and by weather, Richelieu wrote in the spring of 1609 to a certain Madame de Bourges, who lived in Paris, in the Rue des Blanc-manteaux, near the newly fashionable Place Royale. This lady seems to have been a friend of his mother’s family, and to have been married to one of a succession of distinguished physicians who practised in Paris during the sixteenth and seventeenth centuries. She was certainly an obliging person. Possibly her husband or son had attended the young Bishop in his four months’ illness.

He begins his letter by thanking Madame de Bourges for a million kindnesses, and especially for some ecclesiastical vestments she had sent him. He found himself badly off for many necessary ornaments, former bishops of Luçon having left little behind them. And no wonder: they had not made it their residence for sixty years, we are told, and fighting Huguenots had stormed and devastated the place.

“... I am now in my barony,” he writes, “beloved of everybody, so they tell me, and I can only repeat it; but you know all beginnings are good. I shall have no lack of occupation here, I assure you, for everything is in such ruins that repairing will be hard work. I am extremely ill-lodged, for I have no fire anywhere, because of the smoke ... no remedy but patience. I assure you that I have the most horrid bishopric in France, the most muddy and the most disagreeable.... There is no place to walk, no garden, no alley, no anything, so that I am imprisoned in my house....”

He is immensely interested in his furniture and his household, showing in these young days all the taste for careful detail, all the love of magnificence and show, which was to characterise the great Minister, the man with millions to spend where a poor little Bishop of Luçon had only hundreds.