"Good-evening," said Gwendolyn, nodding courteously—but staying close to the little old gentleman. For Jane had summoned strength enough to topple out of the limousine and teeter forward. Now she was kneeling in the road, crooking a coaxing finger, and gurgling invitingly.
The Piper scowled at the nurse. "Say! What do you think you're doin'?" he demanded. "Singin' a duet with yourself?" Then turning upon the Policeman, "Off your beat, ain't you?" he inquired impudently; when, without waiting for an answer, he swung round upon the Man-Who-Makes-Faces. "Old gent," he began tauntingly, "I can't collect real money for that dozen ears." And threw out an arm toward the object on the driver's seat.
Gwendolyn looked a second time. And saw a horrid and unnatural sight. For the object was a man, straight enough, broad-shouldered enough, with arms and legs, feet and hands, and a small head; but a man shockingly disfigured. For down either side of him, projecting from head and shoulders and arms, were ears—long, hairy, mulish ears, that wriggled horribly, one moment unfolding themselves to catch every sound, the next flopping about ridiculously.
"Why, he's all ears!" she gasped.
The little old gentleman started forward. "It's that dozen I boxed!" he announced. "Hey! Come out of there!"
Gwendolyn's heart sank. Now she knew. From the first her fear had been that one of the dreaded three would come and fetch her out of the Land before she could find her parents. And here, at the very moment when she hoped to leave the worst of the trio behind, here was another!—to hamper and tattle and thwart.
For the rubber plant was Thomas!
And now all at once there was the greatest excitement. The Man-Who-Makes-Faces seized Thomas by an ear and dragged him to the ground, all the while upbraiding him loudly. And while these two were occupied, the Piper swaggered toward the Policeman, his pipes and implements striking and jangling together.
"I want my money," he bellowed.
"I don't owe you anything!" retorted the Policeman.