Simeon Holly shook his head.
"'T was impossible."
"Gosh! I should say 't was," cut in Perry Larson, with emphasis. "An' queer ain't no name for it. One minute he'd be talkin' good common sense like anybody: an' the next he'd be chatterin' of coats made o' ice, an' birds an' squirrels an' babbling brooks. He sure is dippy! Listen. He actually don't seem ter know the diff'rence between himself an' his fiddle. We was tryin' ter find out this mornin' what he could do, an' what he wanted ter do, when if he didn't up an' say that his father told him it didn't make so much diff'rence WHAT he did so long as he kept hisself in tune an' didn't strike false notes. Now, what do yer think o' that?"
"Yes, I, know" nodded Higgins musingly. "There WAS something queer about them, and they weren't just ordinary tramps. Did I tell you? I overtook them last night away up on the Fairbanks road by the Taylor place, and I gave 'em a lift. I particularly noticed what a decent sort they were. They were clean and quiet-spoken, and their clothes were good, even if they were rough. Yet they didn't have any baggage but them fiddles."
"But what was that second letter you mentioned?" asked Simeon Holly.
Higgins smiled oddly, and reached into his pocket.
"The letter? Oh, you're welcome to read the letter," he said, as he handed over a bit of folded paper.
Simeon took it gingerly and examined it.
It was a leaf torn apparently from a note book. It was folded three times, and bore on the outside the superscription "To whom it may concern." The handwriting was peculiar, irregular, and not very legible. But as near as it could be deciphered, the note ran thus:—
Now that the time has come when I must give David back to the world, I have set out for that purpose.