Bertram frowned and did not answer directly.
“Lots of good I am these days!” he exclaimed, his moody eyes on the armful of many-shaped, many-sized packages she carried. “What are those for-the tree?”
“Yes; and it's going to be so pretty, Bertram,” exulted Billy. “And, do you know, Baby positively acts as if he suspected things—little as he is,” she went on eagerly. “He's as nervous as a witch. I can't keep him still a minute!”
“How about his mother?” hinted Bertram, with a faint smile.
Billy laughed.
“Well, I'm afraid she isn't exactly calm herself,” she confessed, as she hurried out of the room with her parcels.
Bertram looked after her longingly, despondently.
“I wonder what she'd say if she—knew,” he muttered. “But she sha'n't know—till she just has to,” he vowed suddenly, under his breath, striding into the hall for his hat and coat.
Never had the Strata known such a Christmas as this was planned to be. Cyril, Marie, and the twins were to be there, also Kate, her husband and three children, Paul, Egbert, and little Kate, from the West. On Christmas Day there was to be a big family dinner, with Aunt Hannah down from the Annex. Then, in concession to the extreme youth of the young host and his twin cousins, there was to be an afternoon tree. The shades were to be drawn and the candles lighted, however, so that there might be no loss of effect. In the evening the tree was to be once more loaded with fascinating packages and candy-bags, and this time the Greggorys, Tommy Dunn, and all the rest from the Annex were to have the fun all over again.
From garret to basement the Strata was aflame with holly, and aglitter with tinsel. Nowhere did there seem to be a spot that did not have its bit of tissue paper or its trail of red ribbon. And everything—holly, ribbon, tissue, and tinsel—led to the mysteriously closed doors of the great front drawing-room, past which none but Billy and her accredited messengers might venture. No wonder, indeed, that even Baby scented excitement, and that Baby's mother was not exactly calm. No wonder, too, that Bertram, with his helpless right arm, and his heavy heart, felt peculiarly forlorn and “out of it.” No wonder, also, that he took himself literally out of it with growing frequency.