William and Aunt Hannah still smiled contentedly in their chairs, though Aunt Hannah had reached for the pink shawl near her—the music had sent little shivers down her spine. Cyril, with Marie, had slipped into the little reception-room across the hall, ostensibly to look at some plans for a house, although—as everybody knew—they were not intending to build for a year.
Bertram, still sitting stiffly erect in his chair, was not conscious of a vague irritation now. He was conscious of a very real, and a very decided one—an irritation that was directed against himself, against Billy, and against this man, Arkwright; but chiefly against music, per se. He hated music. He wished he could sing. He wondered how long it took to teach a man to sing, anyhow; and he wondered if a man could sing—who never had sung.
At this point the duet came to an end, and Billy and her guest left the piano. Almost at once, after this, Arkwright made his very graceful adieus, and went off with his suit-case to the hotel where, as he had informed Aunt Hannah, his room was already engaged.
William went home then, and Aunt Hannah went up-stairs. Cyril and Marie withdrew into a still more secluded corner to look at their plans, and Bertram found himself at last alone with Billy. He forgot, then, in the blissful hour he spent with her before the open fire, how he hated music; though he did say, just before he went home that night:
“Billy, how long does it take—to learn to sing?”
“Why, I don't know, I'm sure,” replied Billy, abstractedly; then, with sudden fervor: “Oh, Bertram, hasn't Mr. Mary Jane a beautiful voice?”
Bertram wished then he had not asked the question; but all he said was:
“'Mr. Mary Jane,' indeed! What an absurd name!”
“But doesn't he sing beautifully?”
“Eh? Oh, yes, he sings all right,” said Bertram's tongue. Bertram's manner said: “Oh, yes, anybody can sing.”