“Aunt Hannah! Is she your aunt, too? Jove! This is a little old world, after all; isn't it?”
“She isn't my aunt. She's my mother's third cousin. None of us have seen her for years, but she writes to mother occasionally; and, of course, for some time now, her letters have been running over full of Billy. She lives with her, I believe; doesn't she?”
“She does,” rejoined Calderwell, with an unexpected chuckle. “I wonder if you know how she happened to live with her, at first.”
“Why, no, I reckon not. What do you mean?”
Calderwell chuckled again.
“Well, I'll tell you. You, being a 'Mary Jane,' ought to appreciate it. You see, Billy was named for one William Henshaw, her father's chum, who promptly forgot all about her. At eighteen, Billy, being left quite alone in the world, wrote to 'Uncle William' and asked to come and live with him.”
“Well?”
“But it wasn't well. William was a forty-year-old widower who lived with two younger brothers, an old butler, and a Chinese cook in one of those funny old Beacon Street houses in Boston. 'The Strata,' Bertram called it. Bright boy—Bertram!”
“The Strata!”
“Yes. I wish you could see that house, Arkwright. It's a regular layer cake. Cyril—he's the second brother; must be thirty-four or five now—lives on the top floor in a rugless, curtainless, music-mad existence—just a plain crank. Below him comes William. William collects things—everything from tenpenny nails to teapots, I should say, and they're all there in his rooms. Farther down somewhere comes Bertram. He's the Bertram Henshaw, you understand; the artist.”