"Oh, how pretty that vine is!" cried Mrs. Howland suddenly. The silence was growing oppressive.
"It looks very well now, but you should see it in winter," retorted Kate. "Great, bare, snake-like things all over the—now, don't cudgel your brains to bring 'plates' or 'crumbs' into that!" she broke off with sudden sharpness.
"No, ma'am," answered Mrs. Howland demurely.
By night the guest, if not the hostess, was in a state of nervous tension that boded ill for sleep. The day had been one long succession of "crumbs" and "china plates"—conversationally. According to Kate, the roads had been muddy; the sun had been too bright; there had been chops when there should have been croquettes for luncheon; the concert seats were too far forward; the soprano had a thin voice, and the bass a faulty enunciation; at dinner the soup was insipid, and the dessert a disappointment; afterwards, in the evening, callers had stayed too long.
Mrs. Howland was in her own room, on the point of preparing for bed, when there came a knock at her chamber door,
"Please, Aunt Ellen, may I come in?"
"Certainly, my dear," called Mrs. Howland, hastening across the room.
Kate stepped inside, closed the door, and placed her back against it.
"I'll give it up," she began, half laughing, half crying. "I never, never would have believed it! Don't ever say 'crumbs' or 'plates' to me again as long as you live—please! I believe I never can even see the things again with any peace or comfort. I am going to try—try—Oh, how I'm going to try!—but, auntie, I think it's a hopeless case!" The next instant she had whisked the door open and had vanished out of sight.
"'Hopeless'?" Mrs. Howland was whispering to herself the next day, as she passed through the hall. "'Hopeless'? Oh, no, I think not." And she smiled as she heard her niece's voice in the drawing-room saying: