Hester's blood quickened and her cheeks grew pink. Her eyes lost their yearning look and her lips their wistful curves.
Every week she faithfully took her lesson of Penelope, and she practiced only that when the children were about. It was when they were at school and she was alone that the great joy of this new-found treasure of improvising came to her, and she could set free her heart and soul on the ivory keys.
She was playing thus one night—forgetting time, self, and that Penelope would soon be home from school—when the child entered the house and stopped, amazed, in the parlor doorway. As the last mellow note died into silence, Penelope dropped her books and burst into tears.
"Why, darling, what is it?" cried Hester. "What can be the matter?"
"I—I don't know," faltered Penelope, looking at her mother with startled eyes. "Why—why did n't you tell me?"
"Tell you?"
"That—that you could—p-play that way! I—I did n't know," she wailed with another storm of sobs, rushing into her mother's arms.
Hester's clasp tightened about the quivering little form and her eyes grew luminous.
"Dearie," she began very softly, "there was once a little girl—a little girl like you. She was very, very poor, and all her days were full of work. She had no piano, no music lessons—but, oh, how she longed for them! The trees and the grass and the winds and the flowers sang all day in her ears, but she could n't tell what they said. By and by, after many, many years, this little girl grew up and a dear little baby daughter came to her. She was still very, very poor, but she saved and scrimped, and scrimped and saved, for she meant that this baby girl should not long and long for the music that never came. She should have music lessons."
"Was it—me?" whispered Penelope, with tremulous lips.