"What would I call an 'indiscreet letter'?" mused the Youngish Girl slowly. "Why—why—I think I'd call an 'indiscreet letter' a letter that was pretty much—of a gamble perhaps, but a letter that was perfectly, absolutely legitimate for you to send, because it would be your own interests and your own life that you were gambling with, not the happiness of your wife or the honor of your husband. A letter, perhaps, that might be a trifle risky—but a letter, I mean, that is absolutely on the square!"
"But if it's absolutely 'on the square,'" protested the Traveling Salesman, worriedly, "then where in creation does the 'indiscreet' come in?"
The Youngish Girl's jaw dropped. "Why, the 'indiscreet' part comes in," she argued, "because you're not able to prove in advance, you know, that the stakes you're gambling for are absolutely 'on the square.' I don't know exactly how to express it, but it seems somehow as though only the very little things of Life are offered in open packages—that all the big things come sealed very tight. You can poke them a little and make a guess at the shape, and you can rattle them a little and make a guess at the size, but you can't ever open them and prove them—until the money is paid down and gone forever from your hands. But goodness me!" she cried, brightening perceptibly; "if you were to put an advertisement in the biggest newspaper in the biggest city in the world, saying: 'Every person who has ever written an indiscreet letter in his life is hereby invited to attend a mass-meeting'—and if people would really go—you'd see the most distinguished public gathering that you ever saw in your life! Bishops and Judges and Statesmen and Beautiful Society Women and Little Old White-Haired Mothers—everybody, in fact, who had ever had red blood enough at least once in his life to write down in cold black and white the one vital, quivering, questioning fact that happened to mean the most to him at that moment! But your 'Honey' and your 'Dolly Girl' and your 'Pink-Fingered Precious' nonsense! Why, it isn't real! Why, it doesn't even make sense!"
Again the Youngish Girl's laughter rang out in light, joyous, utterly superficial appreciation.
Even the serious Traveling Salesman succumbed at last.
"Oh, yes, I know it sounds comic," he acknowledged wryly. "Sounds like something out of a summer vaudeville show or a cheap Sunday supplement. But I don't suppose it sounded so specially blamed comic to the widow. I reckon she found it plenty-heap indiscreet enough to suit her. Oh, of course," he added hastily, "I know, and Martha knows that Thomkins wasn't at all that kind of a fool. And yet, after all—when you really settle right down to think about it, Thomkins' name was easily 'Tommy,' and Thursday sure enough was his day in New Haven, and it was a yard of red flannel that Martha had asked him to bring home to her—not the scarlet automobile veil that they found in his pocket. But 'Martha,' I says, of course, 'Martha, it sure does beat all how we fellows that travel round so much in cars and trains are always and forever picking up automobile veils—dozens of them, dozens—red, blue, pink, yellow—why, I wouldn't wonder if my wife had as many as thirty-four tucked away in her top bureau drawer!'—'I wouldn't wonder,' says Martha, stooping lower and lower over Thomkins's blue cotton shirt that she's trying to cut down into rompers for the baby. 'And, Martha,' I says, 'that letter is just a joke. One of the boys sure put it up on him!'—'Why, of course,' says Martha, with her mouth all puckered up crooked, as though a kid had stitched it on the machine. 'Why, of course! How dared you think—'"
Forking one bushy eyebrow, the Salesman turned and stared quizzically off into space.
"But all the samey, just between you and I," he continued judicially, "all the samey, I'll wager you anything you name that it ain't just death that's pulling Martha down day by day, and night by night, limper and lanker and clumsier-footed. Martha's got a sore thought. That's what ails her. And God help the crittur with a sore thought! God help anybody who's got any one single, solitary sick idea that keeps thinking on top of itself, over and over and over, boring into the past, bumping into the future, fussing, fretting, eternally festering. Gee! Compared to it, a tight shoe is easy slippers, and water dropping on your head is perfect peace!—Look close at Martha, I say. Every night when the blowsy old moon shines like courting time, every day when the butcher's bill comes home as big as a swollen elephant, when the crippled stepson tries to cut his throat again, when the youngest kid sneezes funny like his father—'who was rosie? who was rosie?'"
"Well, who was Rosie?" persisted the Youngish Girl absent-mindedly.
"Why, Rosie was nothing!" snapped the Traveling Salesman; "nothing at all—probably." Altogether in spite of himself, his voice trailed off into a suspiciously minor key. "But all the same," he continued more vehemently, "all the same—it's just that little darned word 'probably' that's making all the mess and bother of it—because, as far as I can reckon, a woman can stand absolutely anything under God's heaven that she knows; but she just up and can't stand the littlest, teeniest, no-account sort of thing that she ain't sure of. Answers may kill 'em dead enough, but it's questions that eats 'em alive."