HEART OF THE CITY
HE dining-room was green, as green could be. Under the orange-colored candle-light, the walls, rugs, ceiling, draperies, ferns, glowed verdant, mysterious, intense, like night woods arching round a camp fire. Into this fervid, pastoral verdure the round white table, sparkling with silver, limpid with wine-lights, seemed to roll forth resplendent and incongruous as a huge, tinseled snowball.
Outside, like fire engines running on velvet wheels, the automobiles went humming along the pavement. Inside, the soft, narrow, ribbony voice of a violin came whimpering through the rose-scented air.
It was the midst of dinner-party time. In the oak-paneled hallway a shadowy, tall clock swallowed gutturally on the verge of striking nine.
The moment was distinctly nervous. The entrée course was late, and the Hostess, gesticulating tragically to her husband, had slipped one chalky white shoulder just a fraction of an inch too far out of its jeweled strap. The Host, conversing every second with exaggerated blandness about the squirrels in Central Park, was striving frantically all the while with a desperately surreptitious, itchy gesture to signal to his mate. Worse than this, a prominent Sociologist was audibly discussing the American penal system with a worried-looking lady whose brother was even then under indictment for some banking fraud. Some one, trying to kick the Sociologist's ankle bone, had snagged his own foot gashingly through the Woodland Girl's skirt ruffle, and the Woodland Girl, blush-blown yet with country breezes, clear-eyed as a trout pool, sweet-breathed as balsam, was staring panic-stricken around the table, trying to locate the particular man's face that could possibly connect boot-wise with such a horridly profane accident. The sudden, grotesque alertness of her expression attracted the laggard interest of the young Journalist at her left.
"What brought you to New York?" the Journalist asked abruptly. "You're the last victim in from the country, so you must give an account of yourself. Come 'fess up! What brought you to New York?"
The Journalist's smile was at least as conscientious as the smile of daylight down a city airshaft, and the Woodland Girl quickened to the brightening with almost melodramatic delight, for all previous conversational overtures from this neighbor had been about actors that she had never heard of, or operas that she could not even pronounce, and before the man's scrutinizing, puzzled amazement she had felt convicted not alone of mere rural ignorance, but of freckles on her nose.