Passing the barn door, we heard the strident sound of Alrik's complaining. Braced with his heavy shoulders against a corner of the stall, he stood hurling down his new-born theology upon the glossy blond head of the Pretty Lady who sat perched adroitly on a nail keg with two shiny-tipped fingers prying up the corners of her mouth into a smile. One side of the smile was distinctly wry. But Alrik's face was deadly earnest. Sweat bubbled out on his forehead like tears that could not possibly wait to reach his eyes.

"There ought to be a separate heaven for ladies and gentlemen," he was arguing frantically. "'Tain't fair. 'Tain't right. I won't have it! I'll see a priest. I'll find a parson. If it ain't proper to live with people, it ain't proper to die with 'em. I tell you I won't have Amy careerin' round with strange men. She always was foolish about men. And I'm breakin' my heart for her, and Mother's gettin' old, and the house is goin' to rack and ruin, but how—how can a man go and get married comfortable again when his mind's all torturin' round and round and round about his first wife?"

The Partridge Hunter gave a sharp laugh under his breath, yet he did not seem exactly amused. "Laugh for two!" I suggested, as we dodged out of sight round the corner and plunged off into the actual Outdoors.

The heat was really intense, the October sun dazzlingly bright. Warmth steamed from the earth, and burnished from the sky. A plushy brown rabbit lolling across the roadway dragged on one's sweating senses like overshoes in June. Under our ruthless, heavy-booted feet the wet green meadow winced like some tender young salad. At the edge of the forest the big pines darkened sumptuously. Then, suddenly, between a scarlet sumach and a slim white birch, the cavernous wood-path opened forth mysteriously, narrow and tall and domed like the arch of a cathedral. Not a bird twitted, not a leaf rustled, and, far as the eye could reach, the wet brown pine-needles lay thick and soft and padded like tan-bark, as though all Nature waited hushed and expectant for some exquisitely infinitesimal tragedy, like the travail of a squirrel.

With brain and body all a-whisper and a-tiptoe, the Partridge Hunter and I stole deeper and deeper into the Color and the Silence and the Witchery, dazed at every step by the material proof of autumn warring against the spiritual insistence of spring. It was the sort of day to make one very tender toward the living just because they were living, and very tender toward the dead just because they were dead.

At the gurgling bowl of a half-hidden spring, we made our first stopping-place. Out of his generous corduroy pockets the Partridge Hunter tinkled two drinking-cups, dipped them deep in the icy water, and handed me one with a little shuddering exclamation of cold. For an instant his eyes searched mine, then he lifted his cup very high and stared off into Nothingness.

"To the—All-Gone People," he toasted.

I began to cry. He seemed very glad to have me cry. "Cry for two," he suggested blithely, "cry for two," and threw himself down on the twiggy ground and began to snap metallically against the cup in his hand.

"Nice little tin cup," he affirmed judicially. "The Blue Serge Man gave it to me. It must have cost as much as fifteen cents. And it will last, I suppose, till the moon is mud and the stars are dough. But the Blue Serge Man himself is—quite gone. Funny idea!" The Partridge Hunter's forehead began to knit into a fearful frown. "Of course it isn't so," he argued, "but it would certainly seem sometimes as though a man's things were the only really immortal, indestructible part of him, and that Soul was nothing in the world but just a composite name for the S-ouvenirs, O-rnaments, U-tensils, L-itter that each man's personality accumulates in the few years' time allotted to him. The man himself, you see, is wiped right off the earth like a chalk-mark, but you can't escape or elude in a million years the wizened bronze elephant that he brought home from India, or the showy red necktie that's down behind his bureau, or the floating, wind-blown, ash-barrel bill for violets that turns up a generation hence in a German prayer-book at a French book-stall.

"And isn't Death a teasing teacher? Holds up a personality suddenly like a map—makes you learn by heart every possible, conceivable pleasant detail concerning that personality, and then, when you are fairly bursting with your happy knowledge, tears up the map in your face and says, 'There's no such country any more, so what you've learned won't do you the slightest good.' And there you'd only just that moment found out that your friend's hair was a beautiful auburn instead of 'a horrid red'; that his blessed old voice was hearty, not 'noisy'; that his table manners were quaint, not 'queer'; that his morals were broad, not 'bad.'"