"All the worse for that. Mark my words, that woman isn't to be trusted."
But Miss Barnes was alone in her verdict. Mademoiselle taught preparatory French so cleverly yet so modestly that Professor Marceau himself expressed his approval; and Professor Marceau, the distinguished and expensive French instructor-in-chief of the school, had never before unbent to a subordinate.
Under Mademoiselle's stimulus the twenty perfunctory French phrases demanded of each pupil during the progress of dinner expanded into something approaching French conversation. Amelia Bowers and Laura May Lee, who had memorized a small section of dialogue from a Labiche play, and were in the habit of reciting it to each other every evening with much expression, thereby impressing distant teachers with the idea of fluent French chat, abandoned their brilliant scheme to talk chaotic French with Mademoiselle. In the drawing-room during evening recreation hour girls who had regarded conversation with Madame Plongeon as punishment dire, crowded around Mademoiselle de Courcelles, listening breathlessly to her vivacious stories, her reminiscences of life among the French nobility. The tide of flowers, fruit, candy, etc., that had flowed Belinda's way set heavily toward the new teacher. A French chaperon—once a calamity to be avoided at all costs—became the heart's desire of all shopping, theatre-going and holiday-making pupils.
"She's perfectly lovely, Miss Carewe," gushed Amelia Bowers, "and she's had the most interesting experiences. I should think you and she would be bosom friends. You couldn't help loving her if you'd just get to knowing her well. Why, every single one of our crowd has got the most dreadful crush on her. Laura May says she's just like a heroine out of a book; and you needn't think because she's so gay and jolly that she's always been happy. That's just the French way. She says the French even go to death jesting. Isn't that splendid? But she's had awful sorrows. It would make you cry to hear her talk about them—that is, she doesn't exactly tell you about them, you know, but you can tell from the way she talks that she's had them, and that's what makes her so sympathetic and lovely about other people's troubles. Why, I could just tell her anything."
Amelia heaved a cyclonic sigh, and assumed the expression of one who could reveal much to a properly sympathetic soul.
Finding no encouragement in Belinda's face, she plunged again into praise of Mademoiselle.
"All the girls feel that way. They tell her every blessed thing that ever happened to them. Laura May says she never saw anybody before that she could reveal her most sacred feelings to. She told Mademoiselle all about Jim Benton the very first night she met her. Mademoiselle says she had almost the same sort of a time—she called it 'une affaire'—with Comte Raoul de Cretigny, when they were both very young, but that one does get over such things. She encouraged Laura May a lot; but she said such beautiful things about first love and about how no love that came afterward could have just the same exquisite flavour—at least it wasn't exactly 'flavour' she used, and it wasn't 'bloom' either, but it was something like that. Anyway, Laura May cried bucketfuls, and yet she said she felt encouraged to hope she might forget and love again. That's like Mademoiselle. Now some people would have encouraged Laura May too much, and wouldn't have understood how sad the whole thing was, and that would have spoiled everything."
The breathless Amelia came of necessity to a full stop, and Belinda went on her way to her room with a queer little smile hovering around her lips.
Not only the emotional contingent of the school, but the sensible girls as well, appeared to come under the siren's spell.
"She's awfully clever and amusing, Miss Carewe," said Katherine Holland, Belinda's staunch and faithful satellite. "Of course I'm not dotty over her like Amelia's crowd, but she really is great fun, and I like being with her when those girls aren't around. She does talk such sentimental trash to them."