"You mean never to marry at all?" asked Jacqueline, and sighed a little; so far and fast does maiden fancy roam once it slips the leash.
Channing was not unaware of that sigh, and not displeased by it. But what he did fail to notice was the smile that immediately succeeded it; a demure and secret smile which said more plainly than words, "We shall see, Mr. Percival Channing! We shall see!"
The word "forbidden" had always upon young Jacqueline an opposite effect to that intended.
Hours passed as if on wings. Farwell, so they were informed by a correct man-servant at the door, was away for the afternoon and evening, so that they had the house to themselves. Jacqueline went from room to beautiful room of the bachelor establishment, lost in admiration of the ivory-paneled walls, the charming pictures, the delicate French furniture and brocade hangings of the bedrooms, each with a marble bath attached that was luxurious enough for a Roman emperor.
"To think of just a man having things like this!" she marveled.
It was her first glimpse of luxury, a thing unknown to the rough and simple comfort of Storm. Vaguely it oppressed her. She felt shy for the first time in her life, self-conscious. It seemed to her that her gestures were awkward, her voice too big and crude. Channing detected the chagrin in her expressive face, and had the tact to lure her into the music room, where she forgot herself entirely.
Music was far more of a passion with the girl than Kate Kildare was capable of realizing. She had done what she could to cultivate in both her daughters a taste that had been in her day part of the education of every lady. She herself enjoyed music, and she intended to supplement their singing and piano lessons with occasioned visits to Cincinnati to hear grand opera. There was an excellent musical library at Storm, and the best records to be had for the graphophone were sent to her regularly. She felt that from a musical standpoint she was doing her full duty by her children.
Of the physical reaction that music produces in some finely strung temperaments, Kate knew nothing at all. Jacqueline's was a nature similar to hers, but far less balanced, and lacking as yet an outlet for its abounding energy. There were possibilities in her which would have startled the mother, had she guessed them.
Percival Channing, with his carefully developed flair for character study, guessed them from the first. Susceptibility to musical intoxication was a thing which he understood, a thing to which he himself was more or less subject. He knew the danger and the value of it. Without some such susceptibility, he believed, artistic accomplishment was not possible. He had been thrown much into the company of singers, players, painters, people whose profession was the charming of a capricious public, and he saw in the girl many of the requisites for success—not only the voice, so far unspoiled by bad training, but the sensitiveness, the beauty, even the splendid physical strength necessary to that most strenuous of all professions, operatic singing. It flattered his vanity to realize that he was the discoverer of a possible celebrity.
Song after song they tried together, Channing playing the accompaniments. He played well, and made the most of rather faulty music. Jacqueline thought the songs wonderful. It was her introduction to the sensuous, discordant harmonies of Strauss and de Bussy, of whom Channing was an ardent disciple. They puzzled and stirred her oddly.