When at last she turned her back on Storm forever, her going was something in the nature of an Hegira. She took with her certain members of her household, notably Big Liza, who had grown too old in her service to adapt themselves to other ways; also a few favorite horses, and those of the dogs for whom she had not found suitable homes; to say nothing of cattle, hogs, and poultry, chosen for the purpose of showing Jacques' mountaineers how livestock ought to look.
This cavalcade was joined in the village, somewhat to Kate's dismay, by the Ladies of the Evening Star, in a body, also the Civic League, with a brass band, which accompanied her to the train, playing all the way as lustily as for a funeral. The final act of the performance was the presentation, rather fussily overseen by Philip's successor, of a mammoth bouquet of Spring blossoms, raised in the reclaimed dooryards of the Civic League.
Kate's last look, as the train pulled away, was for the old juniper-tree, her eyrie, lifting its hoary head, green now with tender leaves, across the wide valley where she had been for so long a prisoner.
The time came, when, as the Bishop had prophesied, Philip and Jacqueline were called away from the mountains into a wider field; to a crowded, dingy district in a city larger than any of Kentucky, where Jacqueline's mothering arms have never an excuse to be empty, and where, as her husband proudly confesses, more people are attracted to his church by the quality of the music it provides than the quality of the sermons. But it is something else than music or sermons which attracts to these two all people who are in trouble, or in need; all derelicts of life. The hearts of Philip and his wife have not contracted about happiness of their own. They understand.
Mag's baby is with them, already learning, a docile, womanly little creature of six years, to pick up the stitches dropped by busy, careless, eager Jacqueline. It is a household Jacques Benoix loves to hear about, and Kate to visit.
But she never stays long. Cities bewilder her with their crowded indifference—men hurrying hither and thither like ants in an ant-hill, heedless of the wide sky above, heedless of each other, heedless of everything except each the small burden he carries on his back. Always she turns home to Jacques and the mountains with a sigh of relief.
Often, for she is not the woman to neglect a duty because it is painful, Kate goes down to Storm, a home now for crippled children, both white and black. It seems to her that the old house has grown less grim and forbidding under the influence of the little people who are happy there because of Basil Kildare's memory of his crippled daughter;—and also, perhaps, of another crippled child, his son.
Often, too, she makes one of her flying visits to James and Jemima Thorpe.