INTRODUCTION
Each morning, for several months, The Chicago Tribune has published at the head of its first column, verses under the caption: “Poems You Ought to Know.” It has explained its action by the following quotation from Professor Charles Eliot Norton:
“Whatever your occupation may be, and however crowded your hours with affairs, do not fail to secure at least a few minutes every day for refreshment of your inner life with a bit of poetry.”
By publishing these poems The Tribune hopes to accomplish two things: first, to inspire a love of poetry in the hearts of many of its readers who have never before taken time or thought to read the best poems of this and other centuries and lands; and, secondly, to remind those who once loved song, but forgot it among the louder voices of the world, of the melody that enchanted them in youth.
The title has carried with it its own standard, and the poems have been kept on a plane above jocularity or mere prettiness of versification; rather have they tried to teach the doctrines of courage, of nature-love, of pure and noble melody. It has been the ambition of those selecting the verses to choose something to lift the reader above the “petty round of irritating concerns and duties,” and the object will have been achieved if it has helped anyone to “play the man,” “to go blithely about his business all the day,” with a consciousness of that abounding beauty in the world of thought which is the common property of all men.
No anthology of English verse can be complete, and none can satisfy all. The compiler’s individual taste, tempered and guided by established authority, is almost the only standard. This collection has been compiled not by one but by many thousands, and their selections here appear edited and winnowed as the idea of the series seemed to dictate. The book appears at the wide-spread and almost universal request of those who have watched the bold experiment of a great Twentieth-Century American newspaper giving the place of honor in its columns every day to a selection from the poets.
For permission to reprint certain poems by Longfellow, Lowell, Harte, Hay, Bayard Taylor, Holmes, Whittier, Parsons, and Aldrich, graciously accorded by Houghton, Mifflin & Co., the publishers, thanks are gratefully acknowledged. To Charles Scribner’s Sons, for an extract from Lanier’s poems, and, lastly, to the many thousand readers, who, by their sympathy, appreciation, and help have encouraged the continuance of the daily publication of the poems, similar gratitude is felt.
CONTENTS
Addison, Joseph | |
The Spacious Firmament on High | |
Aldrich, Thomas Bailey | |
An Untimely Thought | |
Nocturne | |
Allen, Elizabeth Akers | |
Rock Me to Sleep | |
Arnold, Matthew | |
Requiescat | |
Self Dependence | |
Song of Callicles | |
Barbauld, Mrs. A. L. |
|
Life | |
Beatty, Pakenham | |
To Thine Own Self Be True | |
Begbie, Harold | |
Grounds of the“Terrible” | |
Blake, William | |
The Lamb | |
The Tiger | |
Boker, George H. | |
Dirge for a Soldier | |
Bourdillon, Francis William | |
The Night Has a Thousand Eyes | |
Brontë, Emily | |
Remembrance | |
Brown, Brownlee | |
Thalassa | |
The Cry of the Children | |
Browning, Robert | |
Misconceptions | |
The Year’s at the Spring | |
Bryant, William Cullen | |
Thanatopsis | |
To a Waterfowl | |
Bunyan, John | |
The Shepherd Boy’s Song | |
Burns, Robert | |
Banks o’ Doon | |
Highland Mary | |
John Anderson My Jo | |
Scots Wha Hae | |
Byron, Lord | |
Destruction of the Sennacherib | |
Maid of Athens | |
She Walks in Beauty | |
The Isles of Greece | |
Campion, Thomas | |
Cherry Ripe | |
Carey, Henry | |
Sally in Our Alley | |
Carlyle, Thomas | |
To-Day | |
Cary, Phoebe | |
Nearer Home | |
Chatterton, Thomas | |
Faith | |
Chaucer, Geoffrey | |
An Emperor’s Daughter StandsAlone | |
Clarke, Macdonald | |
In the Graveyard | |
Kubla Khan | |
Cunningham, Allan | |
A Sea Song | |
David | |
Psalm XXIV | |
Psalm XLVIII | |
Psalm XLVI | |
Psalm XIX | |
Psalm LXXXIV | |
Psalm CXXI | |
Dickinson, Emily | |
The Grass | |
Dobson, Austin | |
A Lovers’ Quarrel | |
The Paradox of Time | |
The Pompadour’s Fan | |
In Quaque | |
Durivage, Francis A. | |
All | |
Eliot, George | |
Two Lovers | |
Finch, Francis Miles | |
Nathan Hale | |
Foss, Sam Walter | |
He’d Had No Show | |
Garnett, Richard | |
The Ballad of the Boat | |
Gillington, Mary C. | |
Intra Muros | |
Goethe, Johann Wolfgang | |
Mignon’s Song | |
Flynn of Virginia | |
The Society upon the Stanislaus | |
Hawker, Robert Stephen | |
The Song of the Western Men | |
Hay, John | |
Jim Bludso | |
Little Breeches | |
Henley, W. E. | |
Invictus | |
Herbert, George | |
Virtue | |
Herrick, Robert | |
Counsel to Virgins | |
Delight in Disorder | |
Holland, Josiah Gilbert | |
Babyhood | |
Holmes, Oliver Wendell | |
The Chambered Nautilus | |
The Last Leaf | |
Hood, Thomas | |
Her Moral from Miss Kilmanseg | |
Past and Present | |
Song of the Shirt | |
The Death-Bed | |
Hunt, Leigh | |
Abou Ben Adhem | |
Ingalls, John James | |
Opportunity | |
Jackson, Henry R. | |
My Wife and Child | |
jonson, Ben | |
To Celia | |
Keats, John | |
Ode on a Grecian Urn | |
The Star-Spangled Banner | |
Kingsley, Charles | |
The Three Fishers | |
Knox, William | |
O Why Should the Spirit of Mortal | |
Lamb, Charles | |
The Old Familiar Faces | |
Lanier, Sidney | |
Evening Song | |
Lever, Charles | |
The Widow Malone | |
Logan, John | |
To the Cuckoo | |
Longfellow, Henry Wadsworth | |
Arsenal at Springfield | |
Serenade (“The SpanishStudent”) | |
The Bridge | |
The Day Is Done | |
Lovelace, Richard | |
To Althea from Prison | |
To Lucasta on Going to the Wars | |
Lowe, John | |
Mary’s Dream | |
Lowell, James Russell | |
Jonathan to John | |
June | |
The Heritage | |
To the Dandelion | |
Lytle, William H. | |
Antony and Cleopatra | |
Mackay, Charles | |
A Deed and a Word | |
Mahony, Francis | |
The Bells of Shandon | |
There Is No Death | |
McPhelim, E. J. | |
Elia | |
Meynell, Alice | |
The Shepherdess | |
Milton, John | |
Song on a May Morning | |
Moore, Thomas | |
Believe Me if All Those Endearing YoungCharms | |
Oft in the Stilly Night | |
The Harp that Once | |
Though Lost to Sight | |
’Tis the Last Rose of Summer | |
Mulock, Dinah Maria | |
Douglas, Douglas, Tender and True | |
Neale, John M. | |
Jerusalem the Golden | |
Newman, John Henry | |
Lead Kindly Light | |
O’Connor,Joseph | |
The Fount of Castaly | |
Parsons, Thomas W. | |
On a Bust of Dante | |
Poe, Edgar A. | |
Annabel Lee | |
Pope, Alexander | |
Ode on Solitude | |
Read, Thomas Buchanan | |
Drifting | |
Realf, Richard | |
A Holy Nation | |
The Rose | |
Rossetti, Christina | |
Uphill | |
Ryan, Abram | |
Song of the Mystic | |
Scott, Sir Walter | |
Bonny Dundee | |
Border Ballad | |
Breathes there the Man | |
Where Shall the Lover Rest | |
Shakespeare, William | |
One Touch of Nature | |
Portia’s Speech on Mercy | |
Ruthless Time | |
Song from “Cymbeline” | |
Time Hath, My Lord | |
To Be or Not to Be | |
Macbeth’s Soliloquy | |
When in Disgrace with Fortune | |
Shelley, Percy Bysshe | |
Music when Soft Voices Die | |
An Indian Serenade | |
Sidney, Sir Philip | |
A Ditty | |
Sill, Edward Rowland | |
The Fool’s Prayer | |
Spalding, Susan Marr | |
Fate | |
Stevenson, Robert Louis | |
A Requiem | |
Suckling, Sir John | |
Ballad upon a Wedding | |
Why So Pale and Wan | |
Swinburne, Algernon Charles | |
A Match | |
Bedouin Song | |
The Song of the Camp | |
Tennyson, Lord | |
Break, Break, Break | |
Bugle Song | |
Crossing the Bar | |
Moral from “The DayDream” | |
From “In Memoriam” | |
Tears, Idle Tears | |
Thackeray, William Makepeace | |
At the Church Gate | |
The Garret | |
Tompkins, Juliet Wilbor | |
For All These | |
Villon, François | |
Ballad—Dead Ladies | |
Waller, Edmund | |
Go, Lovely Rose | |
On a Girdle | |
White, Joseph Blanco | |
Night | |
Whitman, Walt | |
O Captain, My Captain | |
Warble for Lilac Time | |
Whittier, John G. | |
Indian Summer | |
The Waiting | |
Willard, Emma | |
Rocked in the Cradle of the Deep | |
Wither, George | |
The Shepherd’s Resolution | |
The Old Oaken Bucket | |
Wordsworth, William | |
The Daffodils | |
The World Is Too Much with Us | |
To Sleep | |