The story of Mr. Gillott's introduction to the great landscape painter, Turner, has been variously told, but the basis of all the stories is pretty much the same. It seems that Gillott, long before Ruskin had dubbed Turner "the modern Claude," had detected the rare excellence of his works, and longed to possess some. He went to the dingy house in Queen Anne Street, and Turner himself opened the door. In reply to Gillott's questions, he said he had "nothing to sell that he could afford to buy." Gillott, by great perseverance, obtained admission, and tried at first to bargain for a single picture. Turner looked disdainfully at his visitor, and refused to quote a price. Still Gillott persevered, and at length startled the artist by asking, "What'll you take for the lot in this room?" Turner, half-jokingly, named a very large sum—many thousands—thinking to frighten him off, but Gillott opened his pocket book, and, to Turner's utter amazement, paid down the money in crisp Bank of England notes. From this moment the two men, so utterly unlike in their general character, but so strangely kindred in their love of Art, became on intimate terms of friendship, which lasted until Turner's death in 1851. Mr. Gillott's collection of Turner's works was the largest and finest in private hands in England, and, when they were sold, realised more than five times the money he had paid for them.
Mr. Gillott was not, in any sense, a public man, and he took no active part in politics. He had a great dislike to public companies, and I believe never held a share in one. He had a very few old friends with whom he loved to associate. He was very hospitable, but he had a strong aversion to formal parties, and to every kind of ostentation. His chief delight was to act as cicerone to an appreciative visitant to his magnificent gallery. He was a frequent visitor to the snug smoking-room at the "Hen and Chickens," where poor "Walter" always brought him, without waiting for an order, what Tony Weller called the "inwariable" and a choice cigar. He did not talk much, but, when he spoke, he had always "something to say." He left early, and went from there, almost nightly, to the Theatre Royal, where he occupied, invariably, a back seat of a certain box, and here, if the performances were a little dull, he would often enjoy a comfortable nap.
In private life he was cheerful, easily pleased, and unaffected. He was greatly beloved by children and young people. I wrote the other day to a lady, at whose father's house he was a frequent visitor, asking for her recollections of him; and the reply is so pleasant and graphic, that, without her permission, I shall quote it verbatim:
"When he dined with papa it was always a 'gentlemen's' party, and only mamma dined with them. We used to see the visitors at dessert only. I remember Mr. Gillott as always being very cheery in manner, with a kind smile; and few words. As children, when we went to dancing parties at his house, he would come during the evening, with a few old friends (the fathers of the children assembled), and, standing in the door of the drawing-room, pat the children on the head and have a little joke with them as they passed him. He would stay for about half-an-hour or so, and then return with his friends down-stairs to smoke. I have heard papa, who, as you know, was no mean judge, say what a remarkably quick ear Mr. Gillott had for music. When they had been together to hear a new opera, he, on his return home, would whistle correctly the greater portion of the music, having only heard it once."
Personally, Mr. Gillott was rather short, and was of broad and sturdy build. He had a remarkably firm step, and there was a rhythmic regularity in his footfall. He was fond of light attire, and generally wore a white hat. There was an air of freshness in his appearance that was very pleasant, and he had such a remarkably clean look that I have often thought that his cleanliness was something positive, something more than the mere absence of dirt. He had a curious way, as he walked, of looking dreamily upon the ground a few yards in front of him, and when anyone met him his eye would rise with a kind of jerk; then with a piercing glance he would intently, for a moment only, "take stock" of the passer by, and drop his eyes again.
For the last two or three years of his life he was haunted by a fear of impending blindness. The thought of being shut out from the sight of his pictures caused him much gloomy apprehension. Happily, his fears were not realised. He retained his sight and other faculties unimpaired until his death. On the 26th of December, 1872, he, in accordance with his annual Christmas custom, assembled all his family to dinner, at his house in Westbourne Road, and in his kindly, affectionate manner spoke hopefully of meeting them there on the same day of the following year. It was not to be. On the next day he felt somewhat unwell; in two or three days bronchitis and pleurisy supervened; and in the afternoon of Friday, the 5th of January, 1873, his long, honourable, and useful life terminated.
