"Hope you have arrived safely. Hear fog bad in country too. Impossible to get to Liverpool Street yet. Awfully worried at your being alone there. Shall come by last train."
Antony handed the two others to me. One was from Lady Grenellen, the other from Augustus, both expressing their annoyance and regret. The telegrams were all sent off at the same hour from Piccadilly, so apparently they were together, my husband and his friend.
"It is comic," I said, "this situation! Augustus and Lady Grenellen fog-bound in London, and you and I here, it is the fault of none of us."
"I like a fog," said Antony, with his old, whimsical smile, all trace of seriousness departed. "A good, useful thing, a fog. Hope it won't lift in a hurry."
"Now come and show me the ancestors," I said.
He led the way to the drawing-room—a great room, all painted white, too, and in each faded green-brocade panel hangs a picture. The electric lights are so arranged that each was perfectly illuminated.
They were all interesting to me, especially the portraits of our common ancestors.
"That must be your grandfather's father," said Antony, pointing to a portly gentleman, with lightly powdered hair and a blue riding-coat, painted at the end of the eighteenth century. "It was his eldest son, who had no sons, and left the place to his daughter, who married Sir Geoffrey Thornhirst."
"But where is your great-great-grandmother that you told me about, and rather insinuated she was as nice as my Ambrosine Eustasie de Calincourt?"
"There she is, in the place of honor. She was painted by Gainsborough, after she married. What do you think of her?"