The Two Partners
At last we got to the pavilion, and all sat round, and having both the Vicomte and the Marquis to talk to, I did have fun. They arranged that our chairs should be against the wall, and not in the row that the chaperons were behind. Godmamma tried to make signs to me to come and sit by Victorine in front of her, but I pretended not to see, until all the chairs were filled up. The Marquise de Vermandoise was next me, with the Vicomte between; she was dancing with the Comte. We were gay! The first set of presents were big brocade bags, and we called one our "pot au feu" and pretended it was for the ingredients to make bon ménage, and so all the presents that were small enough afterwards we put in there to keep for me. I did have lots! A cotillon is very easy, Mamma, as you have often told me, and it was fun dancing with all sorts of strange people that one did not even know. In one figure a huge Russian prince got hold of me, and squeezed me until I very nearly screamed; you see, Mamma, how dreadful foreigners are like that. It was like being hugged by a bear in the Zoo; and after it, he kept giving me flowers or presents if I dared to sit down for a moment, but he did not say a word except once or twice a mumble of "Adorable mademoiselle."
My two partners were nice, we had a perfectly beautiful time, they laughed at everything I said; and Madame de Vermandoise leant over and whispered—while they were both away doing a figure—that never had any one had such a succès as me, and that all the old ladies would be ready to tear my eyes out. Héloise did not dance with "Antoine," but he sat next her, and they talked while his partner was away with other people. It is much better to have two partners, Mamma, because then one is not left to oneself at all, and they are each trying to be nicer than the other all the time. The Comtesse led the cotillon with a cousin of hers; he does do it well, and does nothing else in Paris, the Baronne told me. At last we got on towards the end, and they began the farandole. You know it, Mamma? A lady and a gentleman take hands, then she beckons some one, and he has to come; and then he calls another lady, and so on. It goes on until the whole company are hand-in-hand; and the leader runs about everywhere with this chain of people after him, dancing a long sliding step, to such a lovely go-ahead tune. The leader tears all over the garden, and one is obliged to follow in and out. It is too exciting, and just as we got to the furthest end of the illuminated paths, and had rushed round into the dark, some one let go, and in the confusion of trying to catch on again, the Marquis and I were left behind.
To Elope with the Marquis
It was then the proposal happened, he did not wait a moment; he talked so fast I could hardly understand him. He said he had heard that it was the custom of our country to speak directly to the person one loved, without consulting the parents; so he hoped I would believe he meant me no disrespect, but that he adored me. He had fallen in love at first sight, when he went to review Victorine—that he implored me to fly with him, as his mother would never consent to his marrying an English woman! Think of it, Mamma! me flying with the Marquis! without a wedding cake, or bridesmaids, or pages, or trousseau, or any of the really nice bits of getting married—only the boring part of just going away and staying with one man, without any of the other things to make up for it. I nearly laughed at the ridiculousness of it, only he was so deadly in earnest, and would hold my hand. I said I could not think of such a thing, and would he take me back to the pavilion? He became quite wild then, and said he would kill himself with grief; and such a lot of things about love; but I was so wanting to join in the farandole again—we heard them coming nearer—that my attention was all on that, and I did not listen much.
Anyway, I am sure runaway matches aren't legal in France, from what I heard Jean saying two nights ago at dinner; and I told him so at last, and that pulled him up short. And just then the train passed, and I stretched out my hand to the last man, and was whirled away back to the pavilion and the people. I was glad to get away from the Marquis, because he looked desperate, and you can't trust foreigners, they have pistols and things in their pockets, and he might have shot me. When we got back to our seats, the défilé began and I took the Vicomte's arm to go and make our curtsey to the Comtesse and the Baronne. It was just as well the Marquis was away, because they might have quarrelled as to which one's arm I was to take.
Godmamma's Friends
Just before the supper tables were brought in, Monsieur de Beaupré turned up again. His face was green; he came up behind me, and whispered through his teeth that I had broken his heart, and that he should marry Victorine! So you see, Mamma, nothing could have turned out better, and they ought to be very grateful to me.
We had the gayest supper, all at little tables; and it was arranged that we should go with the de Tournelles, and the Baronne, to a Ralli de Papier to-day, given by the 75th Cuirassiers at the Forêt de Marly.
While we were going to the house to get our wraps, I overheard two ladies talking of Godmamma. They said she gave herself great airs, and considering that every one knew that years ago she had been the amie of that good-looking Englishman at the Embassy these high stilts of virtue were ridiculous. I suppose to be an amie is something wicked in French, but it doesn't sound very bad, does it, Mamma? And, whatever it is, I wonder if poor papa knew, as he was at the Embassy, and it might have been one of his friends, mightn't it? I expect she had not a moustache then.