It will never be known how many master-pieces have been lost to the world because at the critical moment a friend has not been at hand with the stimulant of sympathy and encouragement needed by an overworked, straining artist who was beginning to lose confidence in himself; to soothe his irritated nerves with the balm of praise, and take his poor aching head on a friendly shoulder and let him sob out there all his doubt and discouragement.
So let us not be niggardly or ungenerous in meting out to struggling fellow-beings their share, and perchance a little more than their share of approbation and applause, poor enough return, after all, for the pleasure their labors have procured us. What adequate compensation can we mete out to an author for the hours of delight and self-forgetfulness his talent has brought to us in moments of loneliness, illness, or grief? What can pay our debt to a painter who has fixed on canvas the face we love?
The little return that it is in our power to make for all the joy these gifted fellow-beings bring into our lives is (closing our eyes to minor imperfections) to warmly applaud them as they move upward, along their stony path.
No. 8—Slouch
I should like to see, in every school-room of our growing country, in every business office, at the railway stations, and on street corners, large placards placed with “Do not slouch” printed thereon in distinct and imposing characters. If ever there was a tendency that needed nipping in the bud (I fear the bud is fast becoming a full-blown flower), it is this discouraging national failing.
Each year when I return from my spring wanderings, among the benighted and effete nations of the Old World, on whom the untravelled American looks down from the height of his superiority, I am struck anew by the contrast between the trim, well-groomed officials left behind on one side of the ocean and the happy-go-lucky, slouching individuals I find on the other.
As I ride up town this unpleasant impression deepens. In the “little Mother Isle” I have just left, bus-drivers have quite a coaching air, with hat and coat of knowing form. They sport flowers in their button-holes and salute other bus-drivers, when they meet, with a twist of whip and elbow refreshingly correct, showing that they take pride in their calling, and have been at some pains to turn themselves out as smart in appearance as finances would allow.
Here, on the contrary, the stage and cab drivers I meet seem to be under a blight, and to have lost all interest in life. They lounge on the box, their legs straggling aimlessly, one hand holding the reins, the other hanging dejectedly by the side. Yet there is little doubt that these heartbroken citizens are earning double what their London confrères gain. The shadow of the national peculiarity is over them.
When I get to my rooms, the elevator boy is reclining in the lift, and hardly raises his eye-lids as he languidly manoeuvres the rope. I have seen that boy now for months, but never when his boots and clothes were brushed or when his cravat was not riding proudly above his collar. On occasions I have offered him pins, which he took wearily, doubtless because it was less trouble than to refuse. The next day, however, his cravat again rode triumphant, mocking my efforts to keep it in its place. His hair, too, has been a cause of wonder to me. How does he manage to have it always so long and so unkempt? More than once, when expecting callers, I have bribed him to have it cut, but it seemed to grow in the night, back to its poetic profusion.
In what does this noble disregard for appearances which characterizes American men originate? Our climate, as some suggest, or discouragement at not all being millionaires? It more likely comes from an absence with us of the military training that abroad goes so far toward licking young men into shape.