We fondly believe our opinions and convictions to be original, and with innocent conceit, imagine that we have formed them for ourselves. The illusion of being unlike other people is a common vanity. Beware of the man who asserts such a claim. He is sure to be a bore and will serve up to you, as his own, a muddle of ideas and opinions which he has absorbed like a sponge from his surroundings.
No place is more propitious for studying this curious phenomenon, than behind the scenes of a theatre, the last few nights before a first performance. The whole company is keyed up to a point of mutual admiration that they are far from feeling generally. “The piece is charming and sure to be a success.” The author and the interpreters of his thoughts are in complete communion. The first night comes. The piece is a failure! Drop into the greenroom then and you will find an astonishing change has taken place. The Star will take you into a corner and assert that, she “always knew the thing could not go, it was too imbecile, with such a company, it was folly to expect anything else.” The author will abuse the Star and the management. The whole troupe is frankly disconcerted, like people aroused out of a hypnotic sleep, wondering what they had seen in the play to admire.
In the social world we are even more inconsistent, accepting with tameness the most astonishing theories and opinions. Whole circles will go on assuring each other how clever Miss So-and-So is, or, how beautiful they think someone else. Not because these good people are any cleverer, or more attractive than their neighbors, but simply because it is in the air to have these opinions about them. To such an extent does this hold good, that certain persons are privileged to be vulgar and rude, to say impertinent things and make remarks that would ostracize a less fortunate individual from the polite world for ever; society will only smilingly shrug its shoulders and say: “It is only Mr. So-and-So’s way.” It is useless to assert that in cases like these, people are in possession of their normal senses. They are under influences of which they are perfectly unconscious.
Have you ever seen a piece guyed? Few sadder sights exist, the human being rarely getting nearer the brute than when engaged in this amusement. Nothing the actor or actress can do will satisfy the public. Men who under ordinary circumstances would be incapable of insulting a woman, will whistle and stamp and laugh, at an unfortunate girl who is doing her utmost to amuse them. A terrible example of this was given two winters ago at one of our concert halls, when a family of Western singers were subjected to absolute ill-treatment at the hands of the public. The young girls were perfectly sincere, in their rude way, but this did not prevent men from offering them every insult malice could devise, and making them a target for every missile at hand. So little does the public think for itself in cases like this, that at the opening of the performance had some well-known person given the signal for applause, the whole audience would, in all probability, have been delighted and made the wretched sisters a success.
In my youth it was the fashion to affect admiration for the Italian school of painting and especially for the great masters of the Renaissance. Whole families of perfectly inartistic English and Americans might then he heard conscientiously admiring the ceiling of the Sistine Chapel or Leonardo’s Last Supper (Botticelli had not been invented then) in the choicest guide-book language.
When one considers the infinite knowledge of technique required to understand the difficulties overcome by the giants of the Renaissance and to appreciate the intrinsic qualities of their creations, one asks one’s self in wonder what our parents admired in those paintings, and what tempted them to bring home and adorn their houses with such dreadful copies of their favorites. For if they appreciated the originals they never would have bought the copies, and if the copies pleased them, they must have been incapable of enjoying the originals. Yet all these people thought themselves perfectly sincere. To-day you will see the same thing going on before the paintings of Claude Monet and Besnard, the same admiration expressed by people who, you feel perfectly sure, do not realize why these works of art are superior and can no more explain to you why they think as they do than the sheep that follow each other through a hole in a wall, can give a reason for their actions.
Dress and fashion in clothes are subjects above all others, where the ineptitude of the human mind is most evident. Can it be explained in any other way, why the fashions of yesterday always appear so hideous to us,—almost grotesque? Take up an old album of photographs and glance over the faded contents. Was there ever anything so absurd? Look at the top hats men wore, and at the skirts of the women!
The mother of a family said to me the other day: “When I recall the way in which girls were dressed in my youth, I wonder how any of us ever got a husband.”
Study a photograph of the Empress Eugénie, that supreme arbiter of elegance and grace. Oh! those bunchy hooped skirts! That awful India shawl pinned off the shoulders, and the bonnet perched on a roll of hair in the nape of the neck! What were people thinking of at that time? Were they lunatics to deform in this way the beautiful lines of the human body which it should be the first object of toilet to enhance, or were they only lacking in the artistic sense? Nothing of the kind. And what is more, they were convinced that the real secret of beauty in dress had been discovered by them; that past fashions were absurd, and that the future could not improve on their creations. The sculptors and painters of that day (men of as great talent as any now living), were enthusiastic in reproducing those monstrosities in marble or on canvas, and authors raved about the ideal grace with which a certain beauty draped her shawl.
Another marked manner in which we are influenced by circumambient suggestion, is in the transient furore certain games and pastimes create. We see intelligent people so given over to this influence as barely to allow themselves time to eat and sleep, begrudging the hours thus stolen from their favorite amusement.