[104] The actual formula seems to have been: “He has consulted the oracle of Trophonius.”
[105] There is no question that, according to the Zohar, the sun is the centre of the planetary system, of which planets the earth is one.
[106] There is extraordinary confusion, at the least by way of expression, in this paragraph, which will inevitably create in the reader a notion that the work of Cebes was a picture. As a fact, it is a description of human life contained in a dialogue, to which the title of Tabula was given. It has been printed several times, and once, I believe, at Glasgow, in 1747.
[107] I have intimated elsewhere that the Zohar is in several respects a work of high entertainment, and that its reading is much more diverting than Arabian or Ambrosial Nights. But Éliphas Lévi is right in saying that it calls for some preliminary training. He does not quite mean, however, what I mean in making the suggestion. On the serious side the Zohar is assuredly a work of initiation and one of the great books of the world, though Sir John Lubbock and others of kindred enterprise did not happen to know of it. Lévi is substantially right also in saying that it requires a key, though his meaning is not expressed rightly. The explanation is that it is not a methodical system and presupposes throughout, on the part of its readers, an acquaintance with the tradition which it embodies in allusive form.
[108] It is difficult to say what authority was followed in producing this account. Pentheus was the second King of Thebes, succeeding Cadmus, who built the city. Bacchus was the son of Semele, the daughter of Cadmus, by Jupiter, but he was never a candidate for the Theban throne. The offence of Pentheus was not one of usurpation but of refusal to recognise the divinity of Bacchus. He was not torn to pieces by the daughters of Cadmus, but by a crowd of Bacchanals, among whom was his own mother. It is impossible to turn this story into an allegory of pantheism, as Lévi proceeds to do.
[109] The classical story is the very contrary of this. The effect of his experiments with the serpents was like that of passing through the foot of the rainbow; Tiresias was changed into a girl. He married in this form; but having met a second time with some other interlaced serpents, he again smote them and recovered his original sex. So far from being unable to consummate marriage in either case, he became an authority with the gods on the comparative extent of satisfaction attained by the two sexes in the act of sex.
[110] The term geometrical scarcely applies to the figures of geomancy.
[111] The Bacchus who was depicted with horns was the son of Jupiter and Proserpine. As regards the androgynous nature of Iacchos, I do not know Lévi’s authority, but such a characteristic was ascribed to several deities, though sometimes against general likelihood. It was even said of Jupiter that he was a man but also an immortal maid.
[112] Lévi affirms elsewhere that the satisfaction of all the calls of sense is required for the work of philosophy. In the present place he confuses the issue by implying that chastity means either celibacy or the virgin state. Yet he did not fail to understand that the nuptial life is also a life of chastity; he speaks eloquently of the home and its sanctity, and he alludes elsewhere to the chaste and conjugal Venus.
[113] There were two pagan festivals which have a certain likeness between them: (a) Charisia, which was in honour of Aglaia, Thalia and Euphrosyne, the Charites or Graces. It was celebrated by dances at night, and the person who maintained the exercise longest was presented with a cake, (b) Charistia, a Roman festival, for the reconciliation of relations and friends, at which food was eaten. It could be wished for the perpetuity and catholicity of the sacraments that there were traces of an Eucharist in the Christian sense prior to Christian times.