There is often much art and grace in listening, while you gesticulate gently; for example, by counting upon the fingers; by making a gesture of surprise; by a motion of assent, or an exclamation. This is a tacit manner of saying, ah, I recollect, you are right, and charms the narrator without interrupting him.

In a lively, animated and friendly dialogue, we can interrupt each other by turns, in order to finish a sentence which is begun, or to improve an epithet; this contributes to vivacity in discourse, but it ought not, however, to be too often repeated.

There are many shoals to be avoided in listening, and which always betray inexperience in society. To say from time to time to the narrator, Yes, yes, by nodding the head, making motions with the hand, a custom of old persons, and which is a good representation of a pendulum; to keep the eyes fixed and the mouth gaping open; to have an air of an absent [p97] person or of one in a reverie; to point the finger at persons designated by the narrator; to gape without concealing by the hand or the handkerchief, which is by no means flattering to the speaker; to cast your eye frequently towards the clock—all these habits are offences against good ton.

SECTION IV.
Of Pronunciation.

Pronunciation is still more indispensable in conversation than elocution; for indeed before selecting our expressions, we must make them understood, and one can do this but imperfectly if he pronounces badly. From this fault arise forced repetitions, the loss of what is appropriate, fatigue, disgust, the impatience of the two persons speaking, and in fine, all the sad results of deafness. Should we not use every effort to rid ourselves of this?

The first, the greatest impediment to pronouncing well, is volubility. By speaking too fast, we speak confusedly, and utter inarticulate and unintelligible sounds, and this, without dispute, is of all the faults in pronunciation, the most insupportable. We know very well, that to speak too slowly, and as they say, to listen to our own words, is a caprice which seems to denote pride or nonchalance; and [p98] that in certain cases it is necessary to speak quickly; but we ought never to speak precipitately, even on subjects which require us to be brief. Besides the physical inconvenience, indistinctness has other moral inconveniences: it supposes heedlessness, loquacity, or foolishness.

Next comes hesitancy, which is little less troublesome, for it fills the conversation with ridiculous and painful efforts. This defect which is sometimes owing to the organization, happens still more frequently from neglecting to think before we speak, from timidity, from some lively emotion which obliges us to stammer, or from a formal anxiety to make use of select terms. This last motive is almost an excess. With the intention of pleasing persons, you weary them by repetitions, by far-fetched mincing words, and in order to appear clever, you render yourself excessively annoying.

The habits acquired in childhood and in small towns, and a provincial accent, are frequently obstacles to good pronunciation; let us instance some examples of this. It is not uncommon to hear, even among those who are considered as correct speakers, in general, such a misuse of words as the following: Me for I, Miss for Mrs.,

set for sit, sat out for set out, expect, (of a passed event;) lay for lie, shew for showed, would for should, hadn’t ought for ought not, &c. [p99] As to accent, each province has its peculiarities. To discover it, to shun it, and to modify it by an opposite effort, are the means of avoiding these shoals; but however ridiculous we may appear in running upon them continually, we are a hundred times less so than those people who, like true pedagogues, stop you in the midst of an affecting recital, to repeat with a sardonic smile, a vulgar phrase, a word badly pronounced, or a wrong accent which happens to escape you.

Not only among persons of good society, should we condemn pedantry in pronunciation, but we ought, moreover, with Rousseau, to blame over-nicety of pronunciation or purism. He could not tolerate (and many others like him,) those people so particular in sounding every letter of a word.[14]