One of her earliest works recently has been added to the Wilstach collection in Philadelphia. It shows a man and two women on a balcony. The straight line of the balcony railing stretches across the foreground without any modification of its rigid linear effect. The man's figure is in shadow, barely perceptible as to detail, yet indicated without uncertainty of drawing or vagueness of any kind, a solid figure the "tactile values" of which are clearly recognized. One of the women is bending over the railing in a half-shadow while the other lifts her face toward the man in an attitude that makes exacting requirements of the artist's knowledge of foreshortening. The whole is duskily brilliant in color, full of the sense of form, simple, dignified, sturdy, opulent. It shows that Miss Cassatt held at the beginning of her career as now, valuable ideals of competency and lucidity in the interpretation of life.


MAX KLINGER