The cities at the foot of the Apennines, on the other side of the Arno, have retained their importance, for they are favourably situated for commerce. Prato, where the valley of the Arno is widest, is the centre of a rich agricultural district. The quarries of serpentine in the neighbourhood have furnished building stones for many of the most beautiful edifices of Tuscany, including the cathedral of Prato, celebrated on account of Donatello’s marvellously sculptured pulpit. Pistoja, where the railway descends from the Apennines, is a busy manufacturing town. Other towns of some importance are Pescia, Capannori, in the “garden of Italy,” and Lucca the industrious, with its celebrated pictures by Fra Bartolommeo.

The basin of the Serchio is of incomparable productiveness since its marsh lands have been brought under cultivation. From the ramparts of Lucca one of the most charming views may be enjoyed. On the one hand we have the towers and cupolas of the town, on the other fertile fields and orchards, with white houses peeping through the verdure, and distant hills surmounted by old towers. The impression made by this view is one of perfect peace. In a country so fertile and beautiful, it would seem, the people ought to be happy, and, if enthusiastic writers can be believed, such is really the case, and the peasants of Lucca and of Lower Tuscany in general enjoy advantages denied to their class elsewhere in Italy. They are farmers for the most part, but hold their land by long leases, and their share of its produce is regulated by ancient custom. The land, however, does not suffice for their wants, and they emigrate in thousands in search of work. Many of these emigrants work as grinders.

The inhabitants of the Upper Serchio valley, known as the Garfagnana, are as industrious as those near Lucca, which is the natural outlet for its produce. The slopes and spurs descending from the Apennines and Apuanic Alps are cultivated {254} in terraces. Castelnuovo, the chief town of this valley, occupies one of the most delightful spots of this picturesque district. The common people near it are said to speak the best Italian, superior even to that of the Sienese.

The valley of the Magra is far more frequented than that of Garfagnana, for the high-road from Parma to the Gulf of Spezia leads through it. In its upper portion, in the heart of the Apennines, stands the small town of Pontremoli. Its inferior portion, known as the Lunigiana, from the ancient city of Luni, is as beautiful as the parallel valley of the Serchio. At Sazana it opens upon the sea, and to the south of that charming town, where the Apuanic Alps approach close to the sea, leaving only a narrow passage of some note in history, are situated the towns of Carrara and Massa. Carrara, the “Quarry,” has replaced Luni as the place from whence the white marbles so highly esteemed by sculptors are exported, and choice blocks of which sometimes fetch £80 a cubic yard. No less than 720 quarries perforate the neighbouring hills, and about 300 of these are being worked now. The town may be likened to an agglomeration of sculptors’ studios, and its Academy has trained artists of high reputation. Massa enjoys a better climate than Carrara, but its marbles are less highly esteemed. As to the marbles of Serravezza, which are quarried in the Altissimo and other mountains of the Apuanic Alps near the town of Pietra Santa, they are in many instances as beautiful as those of Carrara. Michael Angelo highly appreciated them, and had a road constructed to facilitate access to them. The quarries and mines in the neighbourhood also yield slates, iron, lead, and silver.[84]

These towns at the foot of the Apuanic Alps were bound to prosper in proportion as the country increased in wealth, whilst Pisa, the great commercial republic of mediæval Tuscany, was doomed to decay, owing to the silting up of its harbour. This Porto Pisano was situated about ten miles to the south of what was then the mouth of the Arno. In 1442 its depth had been reduced to five feet, a century later only rowing boats could enter it, and soon after it was abandoned definitely. There are no traces of it now, and its very site is disputed. But though Pisa is dead—Pisa morta—the city still possesses admirable monuments of its past grandeur. It has a wonderful cathedral; an elegant baptistery; its Campo Santa, with the famous frescoes of Orgagna and Gozzoli; and a leaning tower commanding a view of the Pisan hills and the alluvial plains of the Arno and Serchio. Its commerce has dwindled away, but it is still the capital of a rich agricultural district, and its university is one of the best in Italy. It possesses, moreover, that which no change in the commercial highways can deprive it of, a mild climate, and during winter attracts numerous visitors from the north.

Leghorn, or Livorno, has inherited the commerce of Pisa. It is the natural outlet of the fertile districts of Tuscany, and its commerce is far more important than might be supposed from the unfavourable configuration of the coast, and is surpassed only by that of Genoa and Naples.[85] Thousands of Spanish and {255} Portuguese Jews who found a refuge here have contributed in no small measure to the development of the resources of the town. From an architectural point of view, Leghorn is one of the least interesting cities of Italy, but as the outcome of human labour it is one of the most curious. Before the city could be built, the swamps which occupied its site had to be drained, and an artificial harbour had to be excavated for the protection of vessels. Numerous canals intersect the north-western portion of the town, which is known as New Venice. A huge breakwater marks the entrance to the harbour, and on a sand-bank in the offing rises the tower of Meloria, which recalls the naval engagement in which the fleet of the Pisans was destroyed by the Genoese.

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Fig. 89.—THE HARBOUR OF LEGHORN.

Scale 1 : 112,000