SEA-COAST.

How grand is the ever-moving ocean! how majestic its voice, how terrible its anger! how beautiful every colour that is reflected from its dancing spray, and how balmy the air which is wafted from its bosom to refresh the heated earth, which, under the glare of a summer's sun, seems parched with thirst. How refreshing to the senses is the change from the dry heated grass on a midsummer day—from the dusty roads—from the smoke begrimed town, smelling of dirt, and heated by the reflection of the sun's rays from bricks and stones till it becomes a furnace—from the close dark habitations of the city—from the rattle, excitement, and continual noise of vehicles and human voices—from the corroding cares and depressing influences attending the fierce "battle of life"—to the cool and gentle breeze, "the wide o'er-arching canopy of heaven," the murmur and ripple of the sea, to the clear and exhilarating air, free from soot and laden with the odour of the ocean.—Oh what a desirable change! all human nature seems to own it, and hasten to the shores of the great watery world, that they may contemplate one of the greatest and grandest of God's works with admiration and thankfulness, and be re-animated by its health-giving powers.

It is a wonderful sight, and one which fills our minds with reflection; here we see many of the laws of nature exemplified on a great scale. The laws of gravity keep the surface of the ocean perfectly spherical as a whole, while those of equilibrium keep it in constant and ever-varying motion, the laws of attraction produce the tides, and those of reflection and refraction cause its surface to assume all sorts of colours and tints.

"Great art thou, Ocean, and unknown

The creatures springing into life from thee,

Earth's farthest shores full proudly thou dost own,

The cradle of thy wave from iced to torrid zone."

The ocean is full of life, both vegetative and animal; myriads of both classes have their natural habitation in the sea, and the shore is often, after a gale, strewed with curiosities well worth the contemplation of those who devote their minds to thought. How many varieties of sea-weed have you gathered? perhaps twenty; not three of them are sea-weed at all! they are living animals, either zoophytes or molluscs, every branch of that "flustra" contains a thousand living beings, every spray of "sertularia" as many more, that other piece is the "bugula neretina" and also owns a colony of animals: the next is indeed a member of the vegetable kingdom, its beautiful crimson colour makes it a conspicuous object, and there are many specimens of the same plant, but of all shades of red, crimson, and purple, it is the "plocamium coccineum." And thus it is with every object we view, a knowledge of it brings us to respect and admire it more and more as that knowledge increases, and none more so than some of the productions of the sea. It is here we find specimens of the star-fish, the sea-urchin, and other radiata. Shells of all kinds—both living and dead—belonging to the various tribes of mollusca; crabs, shrimps, and other crustaceans, besides the endless varieties of pebbles and other specimens of worn-down rock, the effects of constant attrition.

If we turn from the shore and gaze upon the horizon, what a marvellous object it is—ever receding as we recede, ever rising as we rise, and never nearer nor farther away. This rising of the horizon, so as to be always opposite to our eyes, is because the higher we are up the more we see. On looking at the horizon we do not look on a perfect level, (if we did, being above it, of course we could not see it at all) but the depression of the line of vision is so slight as to be quite unable to be appreciated; yet, small as it is, it enables us to see a considerable space of the ocean, and the higher we rise—at the same angle—the more we see. The edge of the horizon also appears curved, being higher in front of us than on either side. This is only so in appearance, for if any one were to place a piece of string (stretched tightly between the hands) before his eyes, and bring it up till it is on a level with the horizon, he would soon see that the string and the horizon were both perfectly straight and exactly corresponding with each other.

From the horizon we turn round and look at the chalk cliffs, those white walls from which our native isle has received the name of "Albion." How were they produced? by the constant lashing of the restless waters, which are constantly wearing them away; but they are beautiful objects, full of marvels and records of bygone ages, when their tops were at the bottom of the deep seas.