"No one who has studied phallic and solar worship in the East could make any mistake as to the purport of the shrine at Stonehenge... yet the indelicacy of the whole subject often so shocks the ordinary reader, that, in spite of facts, he cannot grant what he thinks shows so much debasement of the religious mind; facts are facts, however, and it only remains for us to account for them. Perhaps indeed in these later times an artificial and lower phase of sensuality has taken the place of the more natural indulgence of the passions, for procreative purposes, which principally engrossed the thoughts of early worshippers."(158)
158) Rivers of Life, vol. ii., p. 233.
Higgins is of the opinion that Stonehenge is the work of the same era with the caves of India, the pyramids of Egypt, and the stupendous monument at Carnac—a structure which, it is claimed, must have required for its construction an amount of labor equal to that of the pyramids.
Undoubtedly there has never been a religious shrine which has excited more curiosity than has Abury, of which, unfortunately, nothing now remains, although in the early part of the eighteenth century enough had been preserved to prove the identity of its signification with other ancient religious monuments both in the British Isles and in the countries of the East. Perhaps there is no way by which this shrine can be better understood than by quoting the exact language of those who have written upon the subject. Especially is this true concerning the testimony of those who, after personal investigation, have given to the public the results of their research.
In the History of Wiltshisre, published by Sir R. Colt Hoare, Bart., appears the following from Dr. Stukeley:
"The situation of Abury is finely chosen for the purpose it was destined to, being the more elevated part of a plain, from whence there is almost an imperceptible descent every way. But as the religious work in Abury, though great in itself, is but a part of the whole (the avenues stretching above a mile from it each way), the situation of the whole design is projected with great judgment, in a kind of large, separate plain, four or five miles in diameter. Into this you descend on all sides from higher ground. The whole Temple of Abury may be considered as a picture, and it really is so. Therefore the founders wisely contrived that a spectator have an advantageous prospect of it as he appeared within view. When I frequented this place, which I did for some years together, to take an exact account of it, staying a fortnight at a time, I found out the entire work by degrees. The second time I was here, an avenue was a new amusement; the third year another. So that at length I discovered the mystery of it, properly speaking, which was, that the whole figure represented a snake transmitted through a circle. This is an hieroglyphic or symbol of highest note and antiquity.
"In order to put this design in execution, the founders well studied their ground; and to make their representation more natural, they artfully carried it over a variety of elevations and depressions, which, with the curvature of the avenues, produces sufficiently the desired effect. To make it still more elegant and picture-like, the head of the snake is carried up the southern promontory of Hackpen Hill, toward the village of West Kennet; nay, the very name of the hill is derived from the circumstance.... Thus our antiquity divides itself into three great parts, which will be our rule in describing this work. The circle at Abury, the forepart of the snake leading toward Kennet, which I call Kennet Avenue; the hinder part of the snake leading toward Beckhampton, which I call Beckhampton Avenue; for they may be well looked on as avenues to the great temple at Abury, which part must be most eminently called the Temple.
"The plan on which Abury was built, is that sacred hierogram of the Egyptians and other ancient nations, the circle and snake. The whole figure is the circle, snake, and wings. By this they meant to picture out, as well as they could, the nature of the Divinity."
The temple which represents the body of the snake is formed by a circular agger of earth having its ditch withinside. As this is contrary to the mode adopted in works of defence, it is thought to prove the religious character of Abury. In a description given of this shrine by Higgins is the following:
"These ramparts inclose an area of 1400 feet in diameter, which on the edge nearest the ditch was set round with a row of rough, unhewn stones, and in the center was ornamented with two circular temples, composed of the same native stones."(159)