In Cordiner's Antiquities of Scotland is a description of an elaborately carved obelisk. On one side of this column appears a mammoth cross, and underneath it are figures of uncouth animals. Among these carvings are to be seen the Bulbul of Iran, the Boar of Vishnu, the elk, the fox, the lamb, and a number of dancing human figures. In fact all the configurations are not only in their nature and import essentially Eastern, but are actually the symbols of the various animal forms under which "the people of the East contemplated the properties of the Godhead."
Carnac, in upper Egypt, is a monolith of the same symbolic character. It is hewn from a solid block of black granite and is eighty feet high.
Henry O'Brien, a cultured Irishman, who when in London became, in his own line of investigation, one of the chief contributors to Fraser's Magazine while at its best, in response to a call by the Royal Irish Academy for productions relating to the origin and use of the Round Towers, declared that they were erected by a colony of Tuath-de-danaans, or Lingham worshippers from Persia, who had left their native land because of the victories gained over them by their rivals—the Pish de-danaans—a sect of Yoni worshippers; in other words, the sect which recognized the female element as the superior agency in reproduction, and who, therefore, worshipped it as divine. In the devastating wars which swept over Persia and the other countries of antiquity prior to the age of the later Zoroaster, the Pish-de danaans were victorious, and, driving from the country the Tuath-de danaans, or male worshippers, succeeded in re-establishing, and for a time maintaining, the old form of worship. O'Brien claims that the Tuath-de-danaans who were expelled from Persia emigrated to Ireland, and there continued or preserved their favorite form of worship, the Round Towers having been erected by them in conformity to their peculiar religious views. This writer assures us that the old Irish tongue bears unmistakable evidence of the relation existing between these countries. In addition to the similarity of language which is found to exist between ancient Ireland or Iren, and Persia or Iran, the same writer observes that in all their customs, religious observances, and emblems, the resemblance is preserved.
Much regret has been expressed by all the writers who have dealt with this subject that at an earlier age when Stonehenge, Abury, and various other of the ancient monumental shrines of the British Isles were in a better state of preservation, and before bigotry and religious hatred had been aroused against them, more minute observations of their character and of all the details surrounding them could not have been made; yet, notwithstanding the late date at which these investigations were begun, it is believed that a fair amount of success has crowned the efforts which have been put forth to unravel the mysteries bound up in them.
When we remember that every detail connected with the sacred monuments of the ancients was full of significance that their religious ideas were all portrayed by means of symbols which appeared in connection with their sacred edifices—the extent to which a thorough understanding of these details would assist in revealing the mysteries involved in the universal religious conceptions may in a measure be realized.
The identity of the symbols used to express religious ideas, and the extent to which the conceptions of a creative force have been connected in all portions of the globe, are set forth in the following from Barlow:
"A complete history of religious symbolism should embrace all the religions of antiquity no less than the Christian, and it would require as thorough a knowledge of their tenets as of our own to explain satisfactorily its influence in regulating the practice of art."(162)
162) Symbolism, p. 10.