The God-Idea of the Ancients; Or, Sex in Religion

by Eliza Burt Gamble

"A little reflection on the vast period of time required to effect geological changes so great as this will enable us to see to what a remote age in the deeps of antiquity we must go to find the beginning of civilization in the Mesopotamian Valley."(53)

53) Prehistoric Nations, p. 191.

Although at the time of the building of the Tower of Babel the worship of a Deity in which the male principle was pre-eminent had not become universal, still the facts seem to indicate that the doctrine of male superiority which for ages had been steadily advancing had at length gained the ascendancy over the older religion. The new faith and worship had corrupted the old, and through the conditions which had been imposed upon women, and the consequent stimulation of the lower nature in man, even the adherents of the older faith were losing sight of those higher principles which in preceding ages they had adored as God.

We have seen that in every country upon the earth there is a tradition recounting the ravages of a flood. Whether or not this legend is to be traced to an actual calamity by which a large portion of Asia was inundated, is not for a certainty known; but the fact that there was a deluge of contention and strife, surpassing anything perhaps which the world has ever witnessed, seems altogether probable.

Not long after the catastrophe designated as the flood, emblems of the Deity, representations of the male and female elements, appear in profusion. Babylon, at which place was erected the Tower of Belus, and Memphis, which contained the Pyramids, were among the first cities which were built. As the tower typified the Deity worshipped by those who claimed superiority for the male, so the pyramids symbolized the creative agency and peculiar qualities of the female, or of the dual Deity which was worshipped as female.

Although the grosser elements in human nature were rapidly assuming a more intensely aggressive attitude, and although the higher principles involved in an earlier religion were in a measure forgotten, it is evident that at this time humanity had not become wholly sensualized, and that the lower propensities and appetites had not assumed dominion over the reasoning faculties.

The Great Mother Cybele, who is represented by the Sphinx, had doubtless been adored as a pure abstraction, her worship being that of the universal female principle in Nature. She is pictured as the "Eldest Daughter of the Mythologies," and as "The Great First Cause." She represented the past and the future. She was the source whence all that was and is had proceeded.

In its earliest representations, the Sphinx is figured with the head of a woman and the body of a lion. By various writers it is stated that the Sphinxes which were brought as spoils from Asia, the very cradle of religion, were thus represented. The lion, which symbolizes royal power and intellectual strength, is always attached to the chariot of Cybele. The Sphinx is supposed to typify not only Cybele, but the great androgynous God of Africa as well. However, as Cybele and Muth portrayed the same idea, namely, female power and wisdom, we are not surprised that they should have been worshipped under the same emblem. Neither is it remarkable, when we recall the fact that the female was supposed to comprehend both sexes, that in certain instances a beard appears as an accompanying feature of the Sphinx. We are told that the fourth avatar of Vishnu was a Sphinx, but a further search into the history of this Deity reveals the fact that her ninth avatar is Brahm (masculine). The female principle has at length succumbed to the predominance of male power, and Vishnu herself has become transformed into a male God.

Although the rites connected with the worship of Cybele were phallic they were absolutely pure. In an allusion to this worship, Hargrave Jennings admits that the "spirituality to which women in that age of the world were observed to be more liable than men was peculiarly adverse to all sensual indulgence, and especially that of the sexes."

Although the creative principle was adored under its representatives, the Yoni and the Lingham, still the principal object seems to have been, when administering the rites pertaining to the worship of Cybele, to ignore sex and the usual sex distinctions; hence we find that, in order to assume an androgynous appearance, the priestesses of this Goddess officiated in the costumes of males, while priests appeared in the dress peculiar to females. However, that the sensuous element was to a certain extent already assuming dominion over the higher nature, and that priests were regarded as being incapable of self-control, is observed in the fact that in the later ages of female worship one of the principal requirements of a priest of Cybele was castration.