Aunt Jane laughed blithely, and it was impossible not to laugh with her.

"Honey," she said, in the next breath, lowering her voice and laying her finger on the rosebud piece, "honey, there's one thing I can't git over. Here's a piece o' Miss Penelope's dress, but where's Miss Penelope? Ain't it strange that a piece o' caliker'll outlast you and me? Don't it look like folks ought 'o hold on to their bodies as long as other folks holds on to a piece o' the dresses they used to wear?"

Questions as old as the human heart and its human grief! Here is the glove, but where is the hand it held but yesterday? Here the jewel that she wore, but where is she?

"Where is the Pompadour now?
This was the Pompadour's fan!"

Strange that such things as gloves, jewels, fans, and dresses can outlast a woman's form.

"Behold! I show you a mystery"—the mystery of mortality. And an eery feeling came over me as I entered into the old woman's mood and thought of the strong, vital bodies that had clothed themselves in those fabrics of purple and pink and white, and that now were dust and ashes lying in sad, neglected graves on farm and lonely roadside. There lay the quilt on our knees, and the gay scraps of calico seemed to mock us with their vivid colors. Aunt Jane's cheerful voice called me back from the tombs.

"Here's a piece o' one o' my dresses," she said; "brown ground with a red ring in it. Abram picked it out. And here's another one, that light yeller ground with the vine runnin' through it. I never had so many caliker dresses that I didn't want one more, for in my day folks used to think a caliker dress was good enough to wear anywhere. Abram knew my failin', and two or three times a year he'd bring me a dress when he come from town. And the dresses he'd pick out always suited me better'n the ones I picked."

"I ricollect I finished this quilt the summer before Mary Frances was born, and Sally Ann and Milly Amos and Maria Petty come over and give me a lift on the quiltin'. Here's Milly's work, here's Sally Ann's, and here's Maria's."

I looked, but my inexperienced eye could see no difference in the handiwork of the three women. Aunt Jane saw my look of incredulity.

"Now, child," she said, earnestly, "you think I'm foolin' you, but, la! there's jest as much difference in folks' sewin' as there is in their handwritin'. Milly made a fine stitch, but she couldn't keep on the line to save her life; Maria never could make a reg'lar stitch, some'd be long and some short, and Sally Ann's was reg'lar, but all of 'em coarse. I can see 'em now stoopin' over the quiltin' frames—Milly talkin' as hard as she sewed, Sally Ann throwin' in a word now and then, and Maria never openin' her mouth except to ask for the thread or the chalk. I ricollect they come over after dinner, and we got the quilt out o' the frames long before sundown, and the next day I begun bindin' it, and I got the premium on it that year at the Fair.