A TALE.
——"Just of the same piece
Is every flatterer's spirit."—Shakspeare.
In one of the most beautiful counties of Pennsylvania, and in the immediate vicinity of the Susquehanna, stood an old fashioned country tavern, known by the designation of the General Wayne. Of its landlord and his family, and of some little incidents that took place within its precincts about forty years ago, it is our purpose to relate a few particulars.
The proprietor of the house and of the fine farm that surrounded it, was by birth a New-Englander; and having served in Washington's army during the whole of the revolutionary war, he was still distinguished by the title of Colonel Brigham. When, on the return of peace, he resumed his original occupation of farming, he concluded to settle on the genial soil of Pennsylvania, and removed thither with his wife, their little daughter, and an adopted child named Oliver, a fine boy whom they boasted of loving equally with their own Fanny; that he was equally indulged admitted not of a doubt.
As Oliver advanced to manhood he took the chief charge of the farm, and Mrs. Brigham with great difficulty prevailed on her husband to set up an inn; partly to give himself more occupation, and partly because his boundless hospitality in entertaining gratuitously all strangers that came into the neighbourhood, had become rather too much of a tax.
Accordingly, a range of stalls for horses was erected at a short distance from the house, which was beautified with a new porch, running all along the front, and furnished with green benches. A village artist (who was not only a painter, but a glazier also) was employed to contrive a sign, which it was expected would surpass all that had ever been seen in the country; it being neither Buck nor Fox, neither Black Horse, Green Tree, Conestoga Wagon, or any of those every-day things.
The painter's ideas were committed to board in the shape of the landlord's old commander, General Anthony Wayne. This effigy was evidently designed for that of a human being, but the artist had begun the upper part on so large a scale, that there was little or no room for the body and limbs; the gallant general looking as if crushed down by the weight of his hat and head. He stood upon a narrow strip of verdigris green, with his two heels together, and his toes wonderfully turned out. The facings of his coat, and all his under-clothes, were of gold. He wielded in one hand an enormous sword—the other held out a pistol in the act of going off—and he leaned on a cannon from whence issued a flash of scarlet fire, and a cloud of sky-blue smoke.
It is true, that when the sign came home, the colonel made many objections to it, declaring that gold breeches had never been worn in the continental army, and that no man ever stood still leaning on a gun at the moment it was discharged—neither did he think it by any means a good likeness of General Wayne. But Mrs. Brigham reminded her husband that there was no use in telling all this to everybody, and that it might suit some people's ideas of General Wayne—adding, that she never saw a sign that was a good likeness, except Timothy Grimshaw's White Lion, which looked exactly like Timothy himself.
Oliver averred that the artist was certainly a liberal man, and had given them the full worth of their money, for beside the gilding, there was more paint on it than on any sign he had ever seen.
Their neighbour, Tempy Walters, was, however, of opinion that they had been greatly overcharged, for that a man had painted her brother's cellar-door (which was considerably larger than this sign) for half the money. "To be sure," added Tempy, "there was no gold on the cellar-door—but it must have taken twice the paint."