Well, I must return to cap trimmings to tell of a bride. She must have been in the neighborhood of seventy, for she made what her friends called a suitable match with a widower long past that age. They came to the St. Charles Hotel on a kind of honeymoon trip. She decorated her head, oh, ye cherubim and seraphim! with a fussy cap sprinkled with sprays of orange flowers!

I, who revel in a towering white pompadour, have just had the present of a soft silk cap, with frills and bows. I presume it will be useful on the breezy piazzas of the mountains a week hence; but it looks to me now that the caps of our mothers and grandmothers are on the march hitherward. I possess a few “Moniteurs des Dames,” dated in the late forties, that contain pictures and patterns for “bonnets,” as they were called. Who knows but they may be useful yet?

Now, “in regard to” (as a lady we all know prefaces every remark)—“in regard to” frills, in my young days we had to make our own frills. Nobody had dreamed even of machine-made ruchings any more than of vehicles that run all over the streets without the aid of horses. We made our frills of lawn, neatly gathered on to a band, and what is more, they had to be fluted with hot irons. The making was not beyond everybody’s skill, but the “doing up” and fluting was way beyond me, as beyond many others. How queer it is, when we recall to mind the images of people so long absent that they are almost forgotten, the image presents itself, emphasized by some peculiarity of dress or speech. When I think of Dr. Bein’s daughter Susanna, whom I knew and loved so well, it is with the beautifully fluted frill she always wore and so excited my envy. Now, every Biddy in the kitchen and every little darky one sees wandering around wears handsomer frills than Susanna and I ever dreamed of.

Parasols had heavy fringes; so, to show to advantage, they were carried upside down, the ferule end fitted with a ring to be, like the bouquet holders, hung from the finger. My sister had a blue parasol, with pink fringe, that I thought too beautiful for words. How I should laugh at it now!

Best frocks, such as could be utilized for dinners and parties, were made with short sleeves, “caps,” they were called, and tapes sewed in the armholes; long sleeves similarly equipped were tied in under the “caps.” I used to see even party guests take off their sleeves as they put on their gloves to descend to the dancing room. Black, heelless slippers, with narrow black ribbons, wound over the instep, and crossed and recrossed from ankle, way up, over white stockings, were the style; it was a pretty fashion.

I recall the autumn of 1849, when I, a young girl, was at the Astor House, in New York. Coming downstairs one morning to breakfast, how surprised I was at glaring notices posted on walls and doors, “Hop to-night.” You may well believe I was at the hop, though I had no suitable dress. I was only a looker-on.

When I mentioned slippers I recalled that hotel hop, for Mme. Le Vert wore a pink silk dress and pink satin slippers, all laced up and tied up with broad pink ribbons. Nobody had ever seen the like before. Mme. Walton, her mother, was on hand, and hopped, too, just as spry a hop as any young girl. I contrived to sidle along and keep near to Mme. Le Vert, for I was as fascinated as any one of her numerous beaux. Dr. Le Vert, by the way, had just started on a trip to Europe for his health. Going to Europe then was like taking a trip to Mars now.

I heard Mme. Le Vert talking to four different swains in four different languages. I believe she considered her linguistic versatility her strong point. She surely was a most remarkable woman. She was as tender and sweet to me, a very plain, simple, unattractive girl, as to her swellest friends. One does not easily forget such an episode of early life. I never met Mme. Le Vert after that autumn. We all returned South together on the Crescent City, the pioneer steamer between New York and New Orleans.

I will not moralize or sermonize over these reminiscences. They are all of the dead past. Both fashions and people are gone.