Juneau is far enough north to satisfy any reasonable summer ambition, and with its latitude of 58° 16´ N., the young mining town and future metropolis is but little above the line of Glasgow, Edinburgh, Copenhagen, and Moscow. The deep waters of Gastineaux Channel are obstructed by ledges just north of Juneau, and the eighteen feet fall of the regular tides leaves islands and reefs visible in mid-channel. For this reason the ship had to return on its course, and round Douglass Island, before it could continue further north, and when that island of solid gold quartz was left behind, the vessel entered a maze of smaller islands and threaded its way into the grand reaches of Lynn Canal. Vancouver named this arm of the sea for the town of Lynn, in Norfolk, England, the place of his nativity, and his explorers began the song of praise that is chanted by every summer traveller who follows their course up the high-walled, glacier-bound fiord. The White Mountains present bold barriers on the west, and along the eastern shores the great continental range fronts abruptly on the water. Each point or peak passed brought another glacier into view, nineteen glaciers in all being visible on the way up the canal. The great Auk glacier was first seen, and then the Eagle glacier, toppling over a precipice three thousand feet in air, their frozen crests and fronts turning pinnacles of silver and azure to the radiant sun.
Not even “the blue Canary Isles” could have offered a more “glorious summer day” than the one that we enjoyed while the Idaho steamed straight up Lynn Canal, headed for the north pole. The sun shone so warmly on deck that we laid aside wraps, and sat under the grateful shade of an umbrella. There was a sparkle and freshness to the air, and under an ecstatic blue sky fleecy white clouds drifted about the mountain summits and mingled their vapory outlines with the fields of snow. We revelled in the beauties of the scenes, and appreciated at the moment that this passage leading to the Chilkat country is perhaps the finest fiord of the coast. Lynn Canal slumbered as a sapphire sea between its high mountain walls, with scarcely a ripple on its surface. The blue expanse was streaked with a greenish gray where the turbid streams poured in from the melting glaciers, and was marked with a distinct line where the azure water changed to green, and then it faded away into gray again, where the fresh waters of the Chilkat River flowed in.
At the head of Lynn Canal a long point juts out into the current, with the Chilkat Inlet opening at the left, and the Chilkoot Inlet at the right. Opposite this tongue of land on the Chilkat side is the great Davidson glacier, sweeping down a gorge between two mountains, and spreading out like an opened fan. The glacier is three miles across its front and twelve hundred feet high, where it slopes to reach the level ground, and it is separated from the waters of the inlet by a terminal moraine covered with a thick forest of pines. The symmetry of its outlines and the grand slope of its broken surface are most impressive, and this mighty torrent, arrested in its sweep, shows in every pinnacle and crevice all the blues of heaven, the palest tints of beryl and glacier ice, and the sheen of snow and silver in the sunshine. It is worthily named for Professor George Davidson, the astronomer, and its lower slopes were explored by him during his visits to the Chilkat country on government and scientific missions.
Rounding a sharp point beyond the glacier, the Idaho swept into a circling, half-moon cove, where a picturesque Indian camp nestled at the foot of the precipitous Mount Labouchere, not named for the witty editor of the London Truth, but for one of the Hudson Bay Company’s steamers that first penetrated these waters and anchored regularly in this Pyramid Harbor. The cannon-shot, which was such an important feature in the progress of the Idaho, gave a tremendous echo from mountain to mountain, and glacier to glacier, and thundered and rolled down the inlet for uncounted seconds, as the anchor dropped. The tents and bark huts, and the trader’s store of the little settlement, showed finely against the deep green mat at the foot of the vertical mountain, and in the early afternoon all lay in clear shadow, and the mountain seemed to almost overhang the ship as she swung round from her anchor chain. There was an excited rushing to and fro on shore; dogs and Indians gathered at the beach, and canoes put off before the ship’s boats were lowered to take us ashore.
THE DAVIDSON GLACIER.
The Northwest Trading Company’s large store and salmon cannery were quite overlooked in the travellers’ hasty rush for the Indian tents, that were scattered in groups along the narrow clearing between tide-water and mountain wall. Before each tent and cabin were frames, hung with what looked to be bits of red flannel at a distance, but proved to be drying salmon when we reached them. It was a gaudy and effective decoration, and a Chilkat salmon is as bright a color, when caught, as a lobster after it has been boiled. Though a warlike and aggressive people, the Chilkats practise many of the arts of peace, and the wood-carvings and curios that they had for sale were eagerly bought. Miniature totem poles and canoes, pipes, masks, forks, and spoons changed ownership rapidly, and Indians and passengers regretted that there were no more. Bone sticks, used for marten-traps[marten-traps] by the Tinneh tribes of the interior, were to be had, with every stick topped with some totemic beast, and there were queer little fish and toys of soapstone, made by the same peaceful natives. Copper bracelets, covered with Chilkat designs, were offered by a lame rascal, who said, “Gold! gold!” to the eager curio-seekers who snatched at his shining wares. Copper knives and arrow-tips were also displayed, and articles of this metal are distinctly Chilkat work, as the art of forging copper was long a secret of theirs. Relics of the stone age were brought forth, and granite mortars and axes, and leather dressers of slate, offered for sale. Stone-age implements are being rapidly gathered up in this country, and a trader, who has received and filled large orders for eastern museums and societies, threatens to bring up a skilled stonecutter to supply the increasing demands of scientists, now that the Indians have parted with most of their heirloom specimens.
CHILKAT BLANKET.
In one tent two women were at work weaving a large Chilkat blanket on a primitive loom. These blankets, woven from the long fleece of the mountain goat, have been a specialty of the Chilkats as long as white men have known them. The chiefs who met Vancouver were wrapped in these gorgeous totemic blankets or cloaks, and in early days they were commonly worn by the chiefs and rich men. Since the traders have introduced the woollen blankets of commerce, the native manufactures have been neglected, and now that the art is dying out, the few that remain in the possession of the natives are highly valued and only taken from their cedar boxes on the occasion of great feasts and ceremonies. These blankets are found among all the Thlinket tribes, and the Haidas at Kasa-an Bay had many Chilkat cloaks and garments stored away in their cabins. The blankets average two yards in width and about one yard in depth, and are bordered at the ends and across the bottom with a deep fringe. The colors are black, white, and yellow, with occasional touches of a soft, dull blue. Soot, or bituminous coal, gives the base for the black dye, and they get the pure, brilliant yellow from a moss that grows on the rocks. The blue is made by boiling copper and seaweeds together. They make fine trophies for wall decorations, or, as rugs or lambrequins, are superior to the Navajo and Zuni blankets of the New Mexico Indians. The totemic figures woven in these cloaks tell allegories and legends to the natives, and the conventionalized whales, eagles, and ravens are full of meaning, recording the great battles between the clans, the incidents of family history, and deeds at arms. The price of a blanket ranges from twenty to forty dollars; the fineness of the work, the beauty of the design, and the anxiety of the purchaser all helping to increase the price.