The Russian government, in its protectorate over the Greek church, assumes the expenses of the churches at Sitka, Ounalaska, and Kodiak, and about $50,000 are expended annually for their support. With the diminishing congregations, it is merely a question of time when the Alaska priests will be recalled, as the abandonment of the Russian chapel in New York is significant of the coming change.

After the transfer of the territory, the Russian bishop moved his residence to San Francisco, and, taking charge of the chapel there, made annual visits to the Sitka, Kodiak, and Ounalaska churches. The last incumbent of the office, Bishop Nestor, was lost overboard while returning from Ounalaska to San Francisco in May, 1883, and at Moscow no one has been found willing to be sent out to this diocese. Father Mitropolski, now in charge with one assistant, was formerly at the Kodiak church.

The exterior of the church is not imposing, as the paint has worn and flaked off the walls, and the panelled picture of St. Michael over the doorway is dim and faded. The chime of six sweet-toned bells in the tower were sent from Moscow as a gift, and they retain their clear and vibrant tones, and still ring out the hours. Our watches, that had been keeping Astoria or ship’s time, were forty-five minutes ahead of the true local time indicated by the ornamental dial of the church clock, and for the first time we realized that the ship had veered to the westward considerably while apparently going due north. A more serious difference of time had to be contended with at the time of the transfer, as the Russian Sabbath, which came eastward from Moscow, did not correspond to the same day of the week in our calendar travelling westward. It took official negotiations to settle this difference and set aside the old Julian calendar.

INTERIOR OF THE GREEK CHURCH AT SITKA.

The interior of the cruciform church is richly decorated in white and gold. In either transept are side altars, and the main altar is reached through a pair of open-work bronze doors set with silver images of the saints. In this inner sanctuary no woman is allowed to tread, and on the smaller altars there the richest treasures of the church are kept. Over the bronze doors is a large picture of the Last Supper, the faces painted on ivory, and the figures draped in robes of silver. On either side are large paintings of the saints, covered with robes and draperies of the same beaten silver, and the halos, surrounding their heads, of gold and silver set with brilliants. Heavy chandeliers and silver lamps hang from the ceiling, and tall candlesticks and censers are before the pictured saints. There is a small chapel in the north transept, where services are held in winter, and on one of the panels of the altar there is an exquisite painting of the Madonna. The sweet Byzantine face is painted on ivory, and a silver drapery is wrapped about the head and shoulders. St. Michael, St. Nicholas, and the glorious company of apostles and angels on the same altars are robed in silver garments with jewelled halos. This chapel and the whole church still wore the lavish Easter decorations of wreaths, festoons, evergreen trees, and streamers of bright ribbons, both July weeks that I visited it.

On the Sunday morning that the Idaho lay at the Sitka wharf we all attended morning service at the church, and were seated on benches at one side while the congregation stood throughout the long service, which was chanted by a male chorus concealed behind a carved screen near the altar. The men stood on one side of the church, and the women on the other, and at places in the service they knelt and prostrated themselves until their foreheads touched the floor, and made the sign of the cross constantly. One aged man especially interested me with the devout manner in which he bowed and continually made the sign of the cross during the service. He was poorly clad, and in appearance he was one of Tourgénieff’s serfs to the life, as one pictures them from the pages of his novels.

EASTER DECORATIONS IN THE GREEK CHURCH AT SITKA.

On the following Monday—July 16, 1883—we heard the church bells chiming in full chorus at an unwonted hour in the morning, and, hurrying to the square, we found that the Czar’s manifesto was to be read, and a grand Te Deum sung in honor of the coronation of Alexander III. Although the Ruler of Holy Russia had donned his imperial coronet weeks before, the official papers notifying the priest of that event only came up with the mails of our steamer. The usual morning service was elaborated in many ways. The choir of male voices chanted all the Te Deums appointed for such special occasions, the priest wore his most sumptuous vestments of cloth of gold and cloth of silver, the incense was wafted in clouds through the wreathed and garlanded church, and the kneeling congregation rose one by one and went forward to kiss the richly-jewelled cross that the priest extended towards them. At the close, a joyous peal rang out from the six sweet-toned bells in the steeple, and the devout souls went about the church kneeling and crossing themselves before the altars, and kissing the silver and ivory bas-relief images of the saints. Having doffed his splendid robes and his purple velvet cap, Father Mitropolski came forth and greeted his visitors, and had his assistant bring out some of the ancient treasures and vestments to show us. There were jewelled crosses, chalices of silver and gold, jewelled caskets, and quaint illuminated books in precious covers. The bishop’s cap shown us was a tall, conical structure lined with satin, and covered with pearls, amethysts, rubies, and enamelled medallions in filigree settings. The crowns held over the heads of the bride and groom during the marriage service were fine pieces of Russian workmanship, and the silver basin for holy water was well executed. Rich vestments of old damask, of heavy velvets embroidered with bullion and set with small stones, and robes of cloth of gold and cloth of silver, were displayed, together with the draperies used on the altar on various occasions, and the embroidered pall thrown over the coffin at funeral services. The choicest of the church treasures, including an enamelled cross set with diamonds and fine stones, and a book of the Scriptures with an elaborately wrought silver cover weighing twenty-seven pounds, were taken to the San Francisco church after the transfer. The bishop’s robes and special belongings were taken there also, and after Bishop Nestor’s death the richest of them were sent back to Russia. In 1869 the church was robbed of much of its plate and treasures, by some discharged soldiers of the garrison, it was thought, and only a few of the valuables were recovered.