My husband's regards always. You had better, I think, direct to Florence, as we shall be there in the course of October.
To Florence, accordingly, they returned in October, and settled down once more in Casa Guidi for the winter. Mrs. Browning's principal literary occupation at this time was the preparation of a new edition of her poems, including nearly all the contents of the 'Seraphim' volume of 1838, more or less revised, as well as the 'Poems' of 1844. This edition, published in 1850, has formed the basis of all subsequent editions of her poems. Meanwhile her husband was engaged in the preparation of 'Christmas Eve and Easter Day,' which was also published in the course of 1850.
To Miss Mitford
Florence: December I, 1849.
My ever loved friend, you will have wondered at this unusual silence; and so will my sisters to whom I wrote just now, after a pause as little in my custom. It was not the fault of my head and heart, but of this unruly body, which has been laid up again in the way of all flesh of mine....
I am well again now, only obliged to keep quiet and give up my grand walking excursions, which poor Robert used to be so boastful of. If he is vain about anything in the world, it is about my improved health, and I used to say to him, 'But you needn't talk so much to people of how your wife walked here with you and there with you, as if a wife with a pair of feet was a miracle of nature.' Now the poor feet have fallen into their old ways again. Ah, but if God pleases it won't be for long....
The American authoress, Miss Fuller, with whom we had had some slight intercourse by letter, and who has been at Rome during the siege, as a devoted friend of the republicans and a meritorious attendant on the hospitals, has taken us by surprise at Florence, retiring from the Roman field with a husband and child above a year old. Nobody had even suspected a word of this underplot, and her American friends stood in mute astonishment before this apparition of them here. The husband is a Roman marquis, appearing amiable and gentlemanly, and having fought well, they say, at the siege, but with no pretension to cope with his wife on any ground appertaining to the intellect. She talks, and he listens. I always wonder at that species of marriage; but people are so different in their matrimonial ideals that it may answer sometimes. This Mdme. Ossoli saw George Sand in Paris—was at one of her soirées—and called her 'a magnificent creature.' The soirée was 'full of rubbish' in the way of its social composition, which George Sand likes, nota bene. If Mdme. Ossoli called it 'rubbish' it must have been really rubbish—not expressing anything conventionally so—she being one of the out and out Reds and scorners of grades of society. She said that she did not see Balzac. Balzac went into the world scarcely at all, frequenting the lowest cafés, so that it was difficult to track him out. Which information I receive doubtingly. The rumours about Balzac with certain parties in Paris are not likely to be too favorable nor at all reliable, I should fancy; besides, I never entertain disparaging thoughts of my demi-gods unless they should be forced upon me by evidence you must know. I have not made a demi-god of Louis Napoleon, by the way—no, and I don't mean it. I expect some better final result than he has just proved himself to be of the French Revolution, with all its bitter and cruel consequences hitherto, so I can't quite agree with you. Only so far, that he has shown himself up to this point to be an upright man with noble impulses, and that I give him much of my sympathy and respect in the difficult position held by him. A man of genius he does not seem to be—and what, after all, will he manage to do at Rome? I don't take up the frantic Republican cry in Italy. I know too well the want of knowledge and the consequent want of i effective faith and energy among the Italians; but there is a stain upon France in the present state of the Roman affair, and I don't shut my eyes to that either. To cast Rome helpless and bound into the hands of the priests is dishonor to the actors, however we consider the act; and for the sake of France, even more than for the sake of Italy, I yearn to see the act cancelled. Oh, we have had the sight of Clough and Burbidge, at last. Clough has more thought, Burbidge more music; but I am disappointed in the book on the whole. What I like infinitely better is Clough's 'Bothie of Toper-na-fuosich,' a 'long vacation pastoral,' written in loose and more-than-need-be unmusical hexameters, but full of vigour and freshness, and with passages and indeed whole scenes of great beauty and eloquence. It seems to have been written before the other poems. Try to get it, if you have not read it already. I feel certain you will like it and think all the higher of the poet. Oh, it strikes both Robert and me as being worth twenty of the other little book, with its fragmentary, dislocated, unartistic character. Arnold's volume has two good poems in it: 'The Sick King of Bokhara' and 'The Deserted Merman.' I like them both. But none of these writers are artists, whatever they may be in future days. Have you read 'Shirley,' and is it as good as 'Jane Eyre'? We heard not long since that Mr. Chorley had discovered the author, the 'Currer Bell.' A woman, most certainly. We hear, too, that three large editions of the 'Princess' are sold. So much the happier for England and poetry.
Dearest dear Miss Mitford, mind you write to me, and don't pay me out in my own silence! You have not been ill, I hope and trust. Write and tell me every little thing of yourself—how you are, and whether there is still danger of your being uprooted from Three Mile Cross. I love and think of you always. Fancy Flush being taken in the light of a rival by baby! Oh, baby was quite jealous the other day, and strugggled and kicked to get to me because he saw Flush leaning his pretty head on my lap. There's a great strife for privileges between those two. May God bless you! My husband's kind regards always, while I am your most