Robert sends his true regards with those of your
Gratefully affectionate
BA.

To Mrs. Jameson

April 2, [1850].

You have perhaps thought us ungrateful people, my ever dear friend, for this long delay in thanking you for your beautiful and welcome present.[[199]] Here is the truth. Though we had the books from Rome last month, they were snatched from us by impatient hands before we had finished the first volume. The books are hungered and thirsted for in Florence, and, although the English reading club has them, they can't go fast enough from one to another. Four of our friends entreated us for the reversion, and although it really is only just that we should be let read our own books first, yet Robert's generosity can't resist the need of this person who is 'going away,' and of that person who is 'so particularly anxious'—for particular reasons perhaps—so we renounce the privilege you gave us (with the pomps of this world) and are still waiting to finish even the first volume. Our cultivated friends the Ogilvys, who had the work from us earliest, because they were going to Naples, were charmed with it. Mr. Kirkup the artist, who disputes with Mr. Bezzi the glory of finding Dante's portrait—yes, and breathes fire in the dispute—has it now. Madame Ossoli, Margaret Fuller, the American authoress, who brought from the siege of Rome a noble marquis as her husband, asks for it. And your adorer Mr. Stuart, who has lectured upon Shakespeare all the winter, entreats for it. So when we shall be free to enjoy it thoroughly for ourselves remains doubtful. Robert promises every day, 'You shall have it next, certainly,' and I only hope you will put him and me in your next edition of the martyrs, for such a splendid exercise of the gifts of self-renunciation. But don't fancy that we have not been delighted with the sight of the books, with your kindness, and besides with the impressions gathered from a rapid examination of the qualities of the work. It seems to us in every way a valuable and most interesting work; it must render itself a necessity for art students, and general readers and seers of pictures like me, who carry rather sentiment than science into the consideration of such subjects. We much admire your introduction—excellent in all ways, besides the grace and eloquence. Altogether, the work must set you higher with a high class of the public, and I congratulate you on what is the gain of all of us. Robert has begun a little pencil list of trifling criticisms he means to finish. We both cry aloud at what you say of Guercino's angels, and never would have said if you had been to Fano and seen his divine picture of the 'Guardian Angel,' which affects me every time I think of it. Our little Wiedeman had his part of pleasure in the book by being let look at the engravings. He screamed for joy at the miracle of so many bird-men, and kissed some of them very reverentially, which is his usual way of expressing admiration....

Whether you will like Robert's new book I don't know, but I am sure you will admit the originality and power in it. I wish we had the option of giving it to you, but Chapman & Hall never seem to think of our giving copies away, nor leave them at our disposal. There is nothing Italian in the book; poets are apt to be most present with the distant. A remark of Wilson's[[200]] used to strike me as eminently true—that the perfectest descriptive poem (descriptive of rural scenery) would be naturally produced in a London cellar. I have read 'Shirley' lately; it is not equal to 'Jane Eyre' in spontaneousness and earnestness. I found it heavy, I confess, though in the mechanical part of the writing—the compositional savoir faire—there is an advance. Robert has exhumed some French books, just now, from a little circulating library which he had not tried, and we have been making ourselves uncomfortable over Balzac's 'Cousin Pons.' But what a wonderful writer he is! Who else could have taken such a subject, out of the lowest mud of humanity, and glorified and consecrated it? He is wonderful—there is not another word for him—profound, as Nature is. S I complain of Florence for the want of books. We have to dig and dig before we can get anything new, and I can read the newspapers only through Robert's eyes, who only can read them at Vieusseux's in a room sacred from the foot of woman. And this isn't always satisfactory to me, as whenever he falls into a state of disgust with any political régime, he throws the whole subject over and won't read a word more about it. Every now and then, for instance, he ignores France altogether, and I, who am more tolerant and more curious, find myself suspended over an hiatus (valde deflendus), and what's to be said and done? M. Thiers' speech—'Thiers is a rascal; I make a point of not reading one word said by M. Thiers.' M. Prudhon—'Prudhon is a madman; who cares for Prudhon?' The President—'The President's an ass; he is not worth thinking of.' And so we treat of politics.

I wish you would write to us a little oftener (or rather, a good deal) and tell us much of yourself. It made me very sorry that you should be suffering in the grief of your sister—you whose sympathies are so tender and quick! May it be better with you now! Mention Lady Byron. I shall be glad to hear that she is stronger notwithstanding this cruel winter. We have lovely weather here now, and I am quite well and able to walk out, and little Wiedeman rolls with Flush on the grass of the Cascine. Dear kind Wilson is doatingly fond of the child, and sometimes gives it as her serious opinion that 'there never was such a child before.' Of course I don't argue the point much. Now, will you write to us? Speak of your plans particularly when you do. We have taken this apartment on for another year from May. May God bless you! Robert unites in affectionate thanks and thoughts of all kinds, with your

E.B.B.—rather, BA.

This letter has waited some days to be sent away, as you will see by the date.


At the end of March 1850, the long-deferred marriage of Mrs. Browning's sister, Henrietta, to Captain Surtees Cook took place. It is of interest here mainly as illustrating Mr. Barrett's behaviour to his daughters. An application for his consent only elicited the pronouncement, 'If Henrietta marries you, she turns her back on this house for ever,' and a letter to Henrietta herself reproaching her with the 'insult' she had offered him in asking his consent when she had evidently made up her mind to the conclusion, and declaring that, if she married, her name should never again be mentioned in his presence. The marriage having thereupon taken place, his decision was forthwith put into practice, and a second child was thenceforward an exile from her father's house.