I hear that Lamennais is profoundly disgusted. He said to a friend of ours, that the French people were 'putrefied to the heart.' Which means that they have one tradition still dear to them (the name of Napoleon) and that they put no faith in the Socialistic prophets. Wise or unwise they may be accordingly; but an affection and an apprehension can't reasonably be said to amount to a 'putrefaction,' I think. No, indeed.

Louis Napoleon is said to say (a bitter foe of his told me this) that 'there will be four phases of his life.' The first was all rashness and imprudence, but 'it was necessary to make him known:' the second, 'the struggle with and triumph over anarchy:' the third, 'the settlement of France and the pacification of Europe:' the fourth, a coup de pistolet. Se non è vero, è ben trovato. Nothing is more likely than the catastrophe in any case; and the violence of the passions excited in the minority makes me wonder at his surviving a day even. Do you know I heard your idol of a Napoleon (the antique hero) called the other evening through a black beard and gnashing teeth, 'le plus grand scélérat du monde,' and his empire, 'le règne du Satan,' and his marshals, 'les coquins.' After that, I won't tell you that 'le neveu' is reproached with every iniquity possible to anybody's public and private life. Perhaps he is not 'sans reproche' in respect to the latter, not altogether; but one can't believe, and oughtn't, even infinitesimally, the things which are talked on the subject....

Ah, I am so vexed about George Sand. She came, she has gone, and we haven't met! There was a M. François who pretended to be her very very particular friend, and who managed the business so particularly ill, from some motive or some incapacity, that he did not give us an opportunity of presenting our letter. He did not 'dare' to present it for us, he said. She is shy—she distrusts bookmaking strangers, and she intended to be incognita while in Paris. He proposed that we should leave it at the theatre, and Robert refused. Robert said he wouldn't have our letter mixed up with the love letters of the actresses, or perhaps given to the 'premier comique' to read aloud in the green room, as a relief to the 'Chère adorable,' which had produced so much laughter. Robert was a little proud and M. François very stupid; and I, between the two, in a furious state of dissent from either. Robert tries to smooth down my ruffled plumage now, by promising to look out for some other opportunity, but the late one has gone. She is said to have appeared in Paris in a bloom of recovered beauty and brilliancy of eyes, and the success of her play, 'Le Mariage de Victorine,' was complete. A strange, wild, wonderful woman, certainly. While she was here, she used a bedroom which belongs to her son—a mere 'chambre de garçon'—and for the rest, saw whatever friends she chose to see only at the 'café,' where she breakfasted and dined. She has just finished a romance, we hear, and took fifty-two nights to write it. She writes only at night. People call her Madame Sand. There seems to be no other name for her in society or letters.

Now listen. Alexandre Dumas does write his own books, that's a fact. You know I always maintained it, through the odour of Dumas in the books, but people swore the contrary with great foolish oaths worth nothing. Maquet prepares historical materials, gathers together notes, and so on, but Dumas writes every word of his books with his own hand, and with a facility amounting to inspiration, said my informant. He called him a great savage negro child. If he has twenty sous and wants bread, he buys a pretty cane instead. For the rest, 'bon enfant,' kind and amiable. An inspired negro child! In debt at this moment, after all the sums he has made, said my informant—himself a most credible witness and highly cultivated man.

I heard of Eugène Sue, too, yesterday. Our child is invited to a Christmas tree and party, and Robert says he is too young to go, but I persist in sending him for half an hour with Wilson—oh, really I must—though he will be by far the youngest of the thirty children invited. The lady of the house, Miss Fitton, an English resident in Paris, an elderly woman, shrewd and kind, said to Robert that she had a great mind to have Eugène Sue, only he was so scampish. I think that was the word, or something alarmingly equivalent. Now I should like to see Eugène Sue with my little innocent child in his arms; the idea of the combination pleases me somewhat. But I sha'n't see it in any case. We had three cold days last week, which brought back my cough and took away my voice. I am dumb for the present and can't go out any more....

At last I have caught sight of an advertisement of your book. A very catching title, and if I mayn't compliment you upon it, I certainly do your publisher. I dare say the book is charming, and the more of yourself in it, the more charming.

Write, and say how you are always when you write. Say, too, how you continue to like your new house. We heard a good deal of you from Mr. Fields, though he came to us only once. With him came Mr. Longfellow, the poet's brother, who is at present in Paris—I mean the brother, not the poet. Robert's love, may I say?

Wiedeman has struck up two friendships: one, with the small daughter of our concierge and one with a little Russian princess, a month younger than himself. He calls them both 'boys,' having no idea yet of the less sublime sex, but he likes the plebeian best. May God make you happy on this and other seasons!

Love your affectionate and grateful

Ba.