Perhaps something of me lives in that collie you describe: I think that I can understand exactly what she feels when the Invisible gathers about,—that is what she feels in regard to her mistress. A collie ought to recognize the ghostly, anyhow: her ancestors must have sat at the feet of Thomas of Ercildoune. By the way, my poor dog did get murdered after all,—killed by men from a strange village. They were chased by the police; but they “made good their escape.” She left behind her three weird little white puppies. We fed them and nursed them, and saved two. It is painful being attached to birds and dogs and cats and other lovable creatures: they die before us, and they have so many sorrows which we cannot protect them from. The old gods, who loved human beings, must have been very unhappy to see their pets wither and perish in a little space.

Good-bye for the moment. It was so kind to write me.

Lafcadio Hearn.


TO MASANOBU ŌTANI
Tōkyō, January, 1900.

My dear Otani,—I suppose that, when you ask me to express my “approval” or non-approval of a society for the study of literature, etc., you want a sincere opinion. My sincere opinion will not please you, I fear, but you shall have it.

There is now in Japan a mania, an insane mania, for perfectly useless organizations of every description. Societies are being formed by hundreds, with all kinds of avowed objects, and dissolved as fast as they are made. It is a madness that will pass—like many other mad fashions; but it is doing incomparable mischief. The avowed objects of these societies is to do something useful; the real object is simply to waste time in talking, eating, and drinking. The knowledge of the value of time has not yet even been dreamed of in this country.

The study of literature or art is never accompanied by societies of this kind. The study of literature and of art requires and depends upon individual effort, and original thinking. The great Japanese who wrote famous books and painted famous pictures did not need societies to help them. They worked in solitude and silence.

No good literary work can come out of a society—no original work, at least. Social organization is essentially opposed to individual effort, to original effort, to original thinking, to original feeling. A society for the study of literature means a society organized so as to render the study of literature, or the production of literature, absolutely impossible.