In Toledo many a time Cervantes strolled, here he has set several of the interesting "Novelas Exemplares"; St. Teresa founded one of her houses here, described in her "Libro de las Fundaciones," a companion book to the "Novelas"; that prodigy of improvization, Lope de Vega, also placed some dramas in these dark winding streets; and in the Jesuit house the historian Mariana, a friend of Ribadeneyra, browsed over his work, called by Ticknor "the most remarkable union of picturesque chronicling with sober fact that the world has ever seen."
Our days in Toledo sped all too fast. For me it is one of those few fascinating cities of the world that rouses a recurrent longing to return. The impressive, solitary walk above the Tagus gorge at the hour of sunset is an unforgettable memory. Another walk leads to San Cristo-in-the-fields, the legend of whose crucifix, with one arm hanging pendant, has been told by Bécquer; beyond this church, across the vega, where the Tagus spreads out in relief from the confining gorge behind, is the Fábrica de Armas, where good Toledan blades are made, so elastic that they are packed in boxes curled up like the mainspring of a watch. Within the town the rambles are endless, now down the step-cut hill, past the Plateresque façade of Santa Cruz hospital, founded by Cardinal Mendoza; now out by the one sloping side of the city to another hospital, where the sculptor Berruguete died, and lies buried near his last work, the marble tomb of the founder, Cardinal Tavera. One day in the narrow street, hearing the sound of singing, I entered a monastery church, to listen for an enchanted hour to a choir of male voices admirably trained.[27] There is about this town an atmosphere that makes you sure that real peace and holiness lie within the looming convent walls under which you pass. The wise Chinese statesman, Kang Yu Wei, who has toured the world studying its religions, said he found in a monastery of Toledo an impressive spirit of devout silence.
We carried away a beautiful last picture of the "Crown of Spain," as her loyal son Padilla called her. We were to catch the night train to Andalusia, at Castillejo on the express route. It was a night with an early moon. So white and romantic lay the city streets that we sent the luggage by the diligence and went on foot to the distant station. When we crossed the Alcántara bridge, we turned to look back at the climbing mass of houses and churches. With a feeling of sadness we gazed at the old mediæval city, so far from the fret of modern life. This was to be, we thought, our last impression of the Castiles. Andalusia, enticing, warm in the sun, facile, impudent, lay ahead. Farewell to the grave, courteous Castilian! Farewell to the valorous stoic-heart of Spain!
CORDOVA AND GRANADA
"The art of the Alhambra is eminently decorative, light, and smiling; it expresses the well being, the repose, the riches of life; its grace lay almost entirely in its youth. Not having the severe lines that rest the eye, these works paled when their first freshness faded. Theirs was a delicate beauty that has suffered more than others from the deterioration of its details."
RENÉ BAZIN.
IN his "Terre d' Espagne," M. René Bazin speaks of the faded city of Cordova, and the term is singularly exact. It is a tranquil, faded ghost, not a nightmare ghost, but an aloof, melancholy specter. I have been haunted by it often since the day and night spent there. Dull and unimportant as it now is, hard to be imagined as the Athens of the West with almost a million inhabitants and an enlightened dynasty of Caliphs, yet, like a true ghost, vague in feature, Cordova succeeds in making itself unforgettable. The past covers it like a mist. It gave me more the sensation of the Moslem than any other spot in Spain: Allah, not Christ, is its brooding spirit.
We strolled hither and thither through its preternaturally quiet streets which are lined with two-storied white or pinkish houses. Every few minutes we stopped with exclamations of delight to gaze through the iron grilles at the tiled and marble patios, here seen for the first time. "A patio! How shall I describe a patio!" exclaimed De Amicis, when he first came into Andalusia. "It is not a garden, it is not a room, it is not a courtyard, it is the three in one,—small, graceful, and mysterious." They are so spotless a king could eat off their paving-stones. Isolated from the stir of the world, they breathe that intimate quiet of the spirit felt in the pictures of the Primitives. To wander for the first time over a city filled with these oases, gives that exhilaration of novelty which as a rule the traveler has long since lost with his first journeys.
I should not say our very vivid impression of Cordova depended on chance details,—the hour of arrival, a personal mood, the weather. Of course the strangeness was heightened by our coming from the north, through a cold night of travel on the train that made the transition from the central plateau of the Castiles to the semi-tropical coast belt of Andalusia, an abrupt one. Toledo, the last seen Castilian town, had been so distinctly Christian in spite of Moorish remains, and our night-flitting over the level sea of La Mancha was so possessed by that español neto, the adventuresome Don, that suddenly to awake among palm trees and oranges gave the sensation of another race and climate. It was this province with its astonishing fertility that had been the land of Elysium of the ancients.