Expectant of the sensational, the tourists filled the great church on Holy Thursday morning, when the white veil was withdrawn: it was done so swiftly, at the opportune words of the Gospel, that there was nothing spectacular about it. Two days later, at the moment in the Mass when every bell in the city bursts out in joyous acclamation of the Resurrection, the black veil was rent; that we missed seeing. Some days before Holy Week a towering temple of wood, white and gilt, a hundred feet high, had been erected in the nave over the tomb of Columbus' son. This pseudo-classic temple, completely out of touch with the Gothic church, was to serve as the repository of the Blessed Sacrament on Holy Thursday, and it was for the center of such shrines that the old silversmiths of Spain, the de Arfe family, made their priceless silver monumentos. Such repositories are customary in all Catholic lands on Thursday of Holy Week, for in the midst of sorrow, the Church celebrates the foundation of the Sacrament that has brought joy and solace to mankind. She commemorates the events of the week chronologically. Before the altars are dismantled for Good Friday, she typifies by lights and flowers, her gratitude for that passover supper in the upper room. It is a general Catholic custom to visit a number of these lighted shrines on Holy Thursday, and in Seville this usage leads to one of the charming things of the week, like an oasis of peace in the midst of the arid pasos. Everyone pays these visits on foot. During two days not a carriage is allowed in the city, the King himself must walk. Their silk mantillas, black or white, draped high over their combs, wearing jewels and carrying flowers, the ladies of Seville went from church to church, to kneel in graceful groups around the exposed Host, and the men in frock coats and high hats stood in the rear, in simple attitudes of prayer: the Spaniard and the Mussulman are alike in their unconsciousness at their devotions. The next day all would wear deep mourning, but to-day is a feast of rejoicing. Each one goes in quiet composure, as if her mind dwelt on the hours of peace her communions had brought her. Again I felt the same impression that the Christmas midnight Mass had given me; that the imagination of this people was busy with the past event they were celebrating. Does not lack of comprehension of old usages often mean lack of the shaping power of the imagination?
From one parish church to another I followed these fascinating women. Here was true Seville, not seen in the Cathedral's tourist crowd, nor under Parisian hats on the Paseo. Wandering through the network of streets north of the Sierpes, I paused to look into the spotless patios distant as they ever seem from the fret of life. A touch of summer was in the air; the marble courtyards were decked with flowers, and one heard the notes of singing birds. Two dark-eyed ladies came out from a tranquil patio; they wore white mantillas in honor of their visits to the Blessed Sacrament. They set me dreaming of Seville in its summer aspect, when the skies are blue in the fragrant night. Nowhere on earth are women more alluring and essentially feminine, nowhere has man fashioned his house so fitly for charm and romance.
By chance, on Holy Thursday, I stumbled on another local usage, full of the same racial flavor. Returning from the Cathedral, where, amid a throng of sight seers, the Archbishop had carried the Host to the lighted monumento, I happened to drop into the Church of the Magdalena. It was filled with its own parishioners, since most Spaniards leave the Cathedral services of this crowded week to the visitors. Near the door were seated three separate groups of ladies and young girls, belonging unmistakably to the aristocracy; each wore a black mantilla,[31] and in their tight-fitting black gowns and long white gloves, they were indescribably elegant. They were the ladies in waiting of the various altars, their duties to tend them, and like the men's brotherhoods, to help in the charitable work of the parish. The Magdalena Church is dark, so on the table before these daughters of Eve stood a pair of high candlesticks, between which lay an open tray soliciting contributions for their special shrines or charities. Young beaux entered the church and as they passed the table, dropped a duro or a paper bill in the different trays, according as they felt devotion to such and such an altar, or to judge by the glances that passed between the givers and receivers, as they felt devotion to its fair caretaker. Unexpected scenes like this, unmentioned in the guide books, give to this city its allurement, enhanced doubly because the actors are so unconscious of their picturesqueness.
And as unpleasant things fade away, leaving only the happier memories, two scenes stand out unforgettable in Seville's Holy Week: Eslava's "Miserere," echoing at midnight through the Cathedral whose name is fittingly the Grandeza, and that other picture, enchantingly Andalusian, the ladies in mantillas paying their silent visits to the Blessed Sacrament on Holy Thursday. The pasos fade to a blurred background of pomp and glitter.
CADIZ
"Para que yo te olvidará
Era menester que hubiera
Otro mundo, y otro cielo,
Y otro Dios que dispusiera."
CANTAR ANDALUZ.
—"The sea tides tossing free,
And Spanish sailors with bearded lips,
And the witchery and beauty of the ships,
And the magic of the sea."
H. W. LONGFELLOW.
IN the midst of the warm Seville winter the thought of sea breezes tempted us to Cadiz for a week. The hundred miles' run down there was through a charming corner of Andalusia, with orange groves, olive plantations, woods of stone pines, hedges of cactus, in the meadows herds of most royal bulls. It was the eighteenth of January, yet the fruit trees were in blossom, and over the streams floated a lovely white-flowering verdure. We passed Jerez, source of English sherry, where on our return to Seville we stopped some hours to see the bodegas and sample the native wine. As we neared the coast big pyramids of salt covered the marshes, telling of another industry; in fact, every part of Andalusia which I saw was well cultivated, despite the guide book laments over its backwardness.
Soon came whiffs of the sea air. The first view of Cadiz, set right out to sea, is very striking. Only a narrow strip of sand, eight miles long, connects it with the mainland, and as we skirted the coast, past San Fernando,—where there is a naval station and an astronomical observatory,—the compact, sturdy little city out in the Atlantic made a stunning picture; the sea so very blue, the town so dazzlingly white.
And inside the treble line of walls and moats that defend its one land-entrance, the "silver dish," as its citizens love to call it, has as individual a character as its distant prospect. It is miraculously clean, its streets seem swept and scrubbed like a Dutch village. Down these narrow lanes you catch the gleam of the sea to east, to north, to west. When it rains, Seville turns into a muddy distress, but well-drained Cadiz grows more proper still in wet weather. The patio of the rest of Andalusia is not found here, for being confined to its ledge of shells, the town could not spread itself about, but had to build itself up in the air. On top of the high houses, whose vivid green balconies add to the general air of trig neatness, are miradores, small towers formerly built by the merchants as look-outs from which they could spy their returning galleons. The view of Cadiz from a mirador is like nothing else ever seen: the clean whiteness of hundreds of roof terraces, the church towers of colored tiles and a host of other miradores, made it seem like a second city in itself, suggestive of the Orient; a strange city set in the blinding blue circle of the ocean.