Our plans had been to go to Trujillo, the birthplace of Pizarro. It was Estremadura that produced many of the rude, energetic conquistadores of Peru and Mexico, and the province never has recovered from that drain on its population. Just as the number of Jewish and Moorish exiles and the loss to their country's vitality has been exaggerated for partisan reasons, so there has been an underestimation of the more serious drain which Spain suffered when hoards of sturdy adventurers set out for the New World. The emigration was untimely; it came a century too early. The country had just been brought from political chaos to law and order by Isabella's great reign; but before the fruit of her planting could ripen (by peace and its natural sequence of settled trade) it was plucked from the bough. I have never been able to see that the expulsion of two hundred thousand Jews, the execution of thirty-five thousand heretics, and the exile of under a million Moriscoes, are sufficient causes to explain Spain's decay. Other countries of Europe, prosperous to-day, suffered from evils quite as bad. Why did Segovia, with an "old Christian" population independent of Moorish banishment, have thirty-five thousand weavers of cloth in the beginning of the seventeenth century and but a few hundred in the next generation? A score of questions similar to this can be asked to which the hackneyed explanation of the Inquisition and the expulsion of the Moors gives no answer.
The causes of Spain's decay must be sought farther afield than in single acts of bad government which crippled the country for a time but were not irremediable. Through emigration, just when with the ending of the seven hundred years' crusade the nation should have turned to peaceful industries, she lost her agriculturists and her possible traders. And following swift on this, for emigration does not permanently weaken a strong race, Spain was bled of her best blood by Charles V's senseless European wars. She profited nothing by them, in fact they lowered her to the position of a mere province in the Empire. The treasure that poured in from the New World was poured out over Europe, it merely passed through Spain. American gold was a curse for her; it undermined the national character; the spirit of adventure, not of patient work, was fostered. The policy of the Emperor was continued by his descendants, and for two hundred years more Spain was at war. Anæmia of the whole race followed: so true is it that the nation of fighters to-day runs the risk of being the nation of weaklings to-morrow.
Good government might have helped the ill, but Charles V pursued in that line a policy as fatal as his continental wars. He tried to force on these subjects whom he never understood an iron autocratic rule, ruthlessly crushing their tenacious spirit of independence. The death of Ximenez and the execution of the Comuneros leaders may be said to mark the ending of the sensible old régime of self-centering her resources, exclusive and provincial perhaps, but it had been Spain's salvation. To meet the expenses of ceaseless wars in Europe, when the first influx of colonial gold ceased, the Peninsula was heavily taxed: a fourteen per cent tariff on all commodities will soon kill trade. For the same reason, to pay for wars, the currency was debased under Philip III; and the Crown held monopolies on spirits, tobacco, pottery, glass, cloth, and other necessities, a system always bad for commerce. The agrarian laws were neglected, too much land was in pasturage, which tends to lower the census, and too vast tracts were held by single nobles. The loss of population went on; in 1649 an epidemic carried off two hundred thousand people. The economic discouragement was aggravated by a host of minor reasons, such as the insecurity of property along the coast from African pirates; a too generous allowance of holidays; the prejudice against trading inherited from crusading ancestors; and there being no alien element—for this Moor or Jew would have served—to give the spur of competition which keeps a nation in health. Hapsburg and Bourbon misgovernment and wars blighted Spain for three centuries. But to-day new life is stirring in her. She is returning to Ximenez's wise rule of not scattering but of concentrating her powers. Happily those unhealthy growths, the colonies, are lopped off at last:
"Passed into peace the heavy pride of Spain.
Back to her castled hills and windy moors!"
In the mountains, not far from Trujillo, lay Yuste, the solitary monastery to which retired that dominating figure of his age, Charles V, who was so decidedly interesting as a man, but so pernicious as a ruler. When he came to this distant inheritance he could scarcely speak the Castilian tongue; he did all in his power to stifle the indomitable character of the race,—and alas! he succeeded but too well in starting her downward course. Yet the magical something in the soul of Spain vanquished even him, as it had impermeated the conquering Roman, the Goth, the Israelite, and the Arab. With all Europe from which to choose, Charles came back voluntarily to the Peninsula, to its most untamed province, to spend the last days of his jaded life.
Reading at home accounts of Yuste, it had been easy to plan a trip there, and to Guadalupe, the famous monastery which also lay among these hills; but one diligence drive can quench all further foolhardy adventuring. With a feeling that illness was threatening, and it was wiser to get away from this "extrema ora," we again took the local line to Arroyo, and there gladly boarded the express that passed through from Lisbon to Madrid.
ARAGON
"O World thou chooseth not the better part!
It is not wisdom to be only wise
And on the inward vision close the eyes,
But it is wisdom to believe the heart.
Columbus found a world, and had no chart
Save one that faith deciphered in the skies,
To trust the soul's invincible surmise
Was all his science and his only art.
Our knowledge is a torch of smoky pine
That lights the pathway but one step ahead
Across a void of mystery and dread.
Bid, then, the tender light of faith to shine,
By which alone the mortal heart is led
Unto the thinking of the thought divine."
GEORGE SANTAYANA.
IF it is one of the coveted sensations of a traveler to stumble unexpectedly on some rare spot that is overlooked and unheralded, as was our experience at Cáceres, there is a second emotion that is close to it,—the return to a favorite picture gallery, especially if in the meantime one has gone further afield, has learned to know other schools, and adjusted ideas by comparison. A return to the Prado can give this coveted sensation.
The winter in the south had familiarized us with the Spanish painters; Murillo now seemed more than a sentimentalist, had he painted for different patrons he had been a decided realist; Toledo had showed that El Greco was to be taken seriously. No sooner were we back in Madrid than I hurried off to the Museum, and, looking neither to the right nor left, to give freshness to the impression, walked straight to the Velasquez room. In the autumn the last look had been for the "Surrender of Breda," and to that unforgettable, soul-stirring picture I paid my first return homage. It impressed me even more powerfully than before. Never was there a more sensitively-rendered expression of a high-minded soul than that of the Marquis Spínola[35] as he bends to meet his enemy. It is intangible and supreme, only equalled by some of Leonardo da Vinci's expressions. For those who hold enshrined a height to which man can rise, the face of this Italian general will ever be a stimulus; he would appeal to the English sense of honor, the chivalry of a Nelson; the heart-history of such a man could be told only by a novelist of true distinction, such as Feuillet; there is something in Spínola's reserved tenderness that Loti might seize in words. Velasquez shows us a man of the world, but he has conveyed as only genius could how this warrior for España la heróica kept himself unspotted from the world, and this the painter could convey, because he himself was nobly idealistic, realist of the realists though he was. Not only in her mystics and novelists but in her painters and sculptors, Spain shows this union of the real with the ideal.